Michael Grandage on Tuesday announces the recipients of the seventh annual MGCfutures Bursaries awarded across a range of theatrical disciplines including directing, writing, producing, designing, performance-makers, and for the first time a puppet maker and a theatrical shoemaker.
A registered charity, MGCfutures offers both financial and ongoing mentoring support to recipients who come from across the UK.
This year’s recipients are Lubna Kerr, Nikhil Vyas, Tom Bailey, Jessica Brigham, Nur Khairiyah Bte Ramli, Sarah Burton, Ruth D'Silva, Sharon Kanolik, Roisin McCay-Hines, Louise Orwin, Em Spoor, Eleanor Taylor, and Alice Ortona Coles and Nicola Holter who receive Stephanie Arditti Bursaries, and Carys-Haf Williams who becomes The Other Room Production Manager Placement.
The bursaries programme was launched in 2016 for arts practitioners who show a commitment to their chosen careers and look to progress to the next stage of their development.
Michael Grandage said, “With writers, directors, and producers sitting alongside shoemakers and puppet makers, the recipients this year perfectly encapsulate the unique nature of this charity and its mission to encourage all disciplines within the theatre industry. MGCFutures has now given over half a million pounds to 141 people and we are looking to the future with renewed optimism - today’s announcement is a wonderful demonstration of that.”
2023 has been a significant year for the charity – in addition to the bursary scheme, MGC commissioned and produced previous bursary recipient Marcelo Dos Santos’ critically acclaimed Backstairs Billy with Penelope Wilton and Luke Evans at the Duke of York’s Theatre, and Emma Corrin joined MGCfutures as a patron.
QUOTES FROM BURSARY RECIPIENTS:
Lubna Kerr: “As an older person transferring into the arts world, it is a difficult path. However, when your passion runs deep and you know inside it's where you belong, there is nothing that can stop you except acceptance by your peers. I am so grateful to MGCfutures for this award and for the faith they have in me and my future.”
Nur Khairiyah Bte Ramli: “I’m grateful to be awarded the MGCfutures Bursary. As someone on a personal journey - exploring how my faith can inform and inspire my work in theatre - this bursary will help me to take ownership of the stories I wish to tell, particularly about Muslim women. It's great to see organisations recognising the importance of diverse voices in the arts.”
Ruth D'silva: “The MCGfutures bursary will help me develop a play that tells the tale of the colonised rather than the coloniser revisiting an old classic. I will also receive the guidance and mentorship of an MGCfutures team committed to encouraging unheard voices. Priceless at this stage of my career as an emerging writer. I am so happy.”
Sharon Kanolik: “The MGCfutures bursary is such a special scheme because it truly centres theatre artists’ personal and artistic growth. This investment in me and my play A Tale of Us will be transformative. Their commitment to my writing and development is a huge confidence boost. Thank you so much to MGCfutures for this incredible support.”
Louise Orwin: “I’m incredibly excited and grateful to the MGCfutures Bursary for helping me to take the first step towards one of my wildest and most ambitious projects to date. The bursary will allow me time to work with new partners and creatives in the industry, helping me level up my directing and theatre-making practice - I can’t wait to get started.”
FULL LIST OF BURSARY RECIPIENTS:
Lubna Kerr – Theatre Maker
The bursary will help Lubna develop her writing style by delivering workshops with second-generation Asian migrants in Glasgow and Edinburgh.
Nikhil Vyas – Director
The bursary will support Nikhil’s R&D process in devising a new play about the Cold War from a unique perspective.
Tom Bailey – Theatre Maker
The bursary will support Tom in conducting creative workshops for young people with cancer in the Lake District. Following these workshops, the bursary will also support the early-stage development of a new international theatre production (exploring cancer experiences) with Baltic company MMLab.
Jessica Brigham – Lighting Designer
The bursary will fund lighting software and programming tools for Jessica to elevate her designs and work in touring productions.
Nur Khairiyah Bte Ramli – Producer
The bursary will support Khai’s development of a new show about Islamophobia in the UK and the “white saviour complex”.
Sarah Burton – Costume Technician
The bursary will facilitate Sarah’s career transition from Wardrobe Manager to textile artist.
Ruth D'silva – Writer
The bursary will allow Ruth to champion global majority voices by writing a radical theatre adaptation of a British classic set in colonised India.
The bursary will enable Nicola to take her first steps in filling a much-needed gap in the UK theatre industry: shoemaking.
Sharon Kanolik – Writer
The bursary will provide the opportunity for Sharon to write and develop a new play for parents and newborn babies.
Roisin Mccay-Hines – Director
The bursary will allow Roisin to workshop a new play about the 1997 cargo ship that spilled 5 million pieces of sea-themed Lego into the South West English coast.
Louise Orwin – Theatre Maker
The bursary will fund Louise’s workshops with teenage girls, re-examining famous opera scenes from a feminist perspective to create a new opera-inspired project.
Alice Ortona Coles – Dance Costume Designer (Stephanie Arditti Bursary)
The bursary will develop Alice’s skills in costume design for dancers through an R&D exploring the intersections between dance, costume, and theatre.
Em Spoor – Puppet Maker
The bursary will provide time and resources for Em to experiment with new ideas and develop their style as a puppet maker.
Eleanor Taylor – Writer
The bursary will allow Eleanor to write her first full-length play about a modern-day Viking burial in York.
Carys-Haf Williams – Production Manager (The Other Room Bursary Placement)
Carys-Haf will become The Other Room’s first Production Manager, developing her skills in a Cardiff venue that celebrates Welsh theatre.
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”