AAFAT-E-ISHQ DIRECTOR INDRAJIT NATTOJI DISCUSSES HIS SPOOKY REMAKE
THE spooky bond Bollywood has developed with supernatural films continues this week with an October 29 premiere of new film Aafat-e-Ishq on streaming site ZEE5.
The official remake of widely acclaimed 2015 Hungarian film Liza, the Fox-Fairy, is a black comedy about a reclusive girl yearning for love, whose life changes when she inherits a property and becomes the prime suspect in a series of unexplained deaths. Neha Sharma plays the lead role in the eye-catching film loaded with plenty of twists. Eastern Eye caught up with director Indrajit Nattoji to discuss his love for cinema and interesting looking film.
Indrajit Nattoji
What was your favourite movie growing up?
This is a movie fan cliche. I think I was four or five when I watched Star Wars at Lighthouse Cinema in Kolkata. It left a lasting impact on me. That our very own Bollywood trope of a boy separated from his father and finally confronting each other on the opposing forces of good and evil can be presented in a gigantic sci-fi canvas as a space opera! Later, I soon discovered its original version – Akira Kurosawa’s samurai classic, The Hidden Fortress, and have been a student of Kurosawa-san since. And then there was all of Steven Spielberg’s Indiana Jones series and as a quintessential Bengali, all of Goopy Gyne Bagha Byne – Ray’s allegorical fantasy adventure film series.
What led towards your latest film Aafat-e-Ishq?
The Zee Studio Originals team had acquired the rights for the award-winning Hungarian film Liza, the FoxFairy. During one of my script-pitch meetings with them, they, in turn, pitched an Indian remake of the same to me. I loved the film and its quirky black humour, and it connected with some of my favourite story-telling genres that I have always been a fan of – fantasy, film noir and black comedies.
How does it compare to the Hungarian original?
Aafat-e-Ishq is my Indian heartland version of the Hungarian original, Liza, the Fox Fairy. The challenge was to reinterpret an East-European sensibility to that of the small-town Hindi heartland. I can safely say that Aafta-e-Ishq is now an adaptation and not a remake. It is a reboot of Liza, with some new twists, eclectic original music, and quirky small-town Indian characters. Some elements have been retained from Liza, but I think it is too soon to reveal anything at this time. Let us wait for the film.
What was the biggest challenge while making this film?
We shot in extremely challenging times. At the height of the pandemic! Finding a ‘home’ location for my character of Lallo was a creative and production task at that time. We had identified locations in Lucknow and Benares for the authentic North Indian small-town flavour. Then the pandemic stuck and all was undone. Finally, we found the right ‘house’ for my Lallo in Nashik, about three hours from Mumbai, and went on to create a fictional North Indian town in Maharashtra.
What is your favourite moment in the movie?
Without giving away any spoilers, my favourite moment in the film is when Lallo meets the character of Vikram, a reticent investigative officer, for the first time. It’s a nuanced scene with minimal dialogues. And my homage to Alain Delon in Le Samouraï.
Why do you think the spooky ghost like genre has become popular?
Ghosts, horror, fantasy genres in films have always been popular. I guess it’s the dopamine fix one can get by watching gore and fear. The last two years of the pandemic has exacerbated our anxiety and uncertainty. As a result, the ghost and horror genres may have acted as an outlet for our fears, making them even more popular.
What can we expect next from you?
I have an ambitious web series in development and an action-thriller feature film in the pipeline. I just completed visual design and VFX for a film that will be released soon on a leading OTT platform. Also, I have a museum film installation project which is ongoing.
Who is your own filmmaking hero?
Akira Kurosawa. He was an artist first, a painter and art teacher, and then a film director. As an evolving artist and filmmaker, I always find something to learn from his gigantic body of work. After all, we can only be standing on the shoulders of the giants.
What inspires you?
What has never failed to inspire ideas and stories is when my mind wanders with a good storybook and freshly brewed coffee in the middle of the mountains, without my smartphone.
Why should we watch Aafat-e-Ishq?
Watch Aafat-e-Ishq for its idiosyncratic take on love and lust.
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”
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Aditya Chopra (right) with his father, Yash Chopra
BOLLYWOOD filmmaker Aditya Chopra was last Thursday (21) named among the nominees of the UK Stage Debut Awards for his Come Fall in Love – The DDLJ Musical, performed at Manchester’s Opera House earlier this year.
Chopra delivered a blockbuster in 1995 with Dilwale Dulhania Le Jayenge, popular as DDLJ, with Kajol and Shah Rukh Khan in the lead roles. It was adapted to a theatrical production and had its UK premiere in May.
Chopra reprised his role as director of the English stage production, which revolves around the love story of Simran and Roger.
Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London Danny Kaan
“This year’s nominees embody the future of British theatre, and I can’t wait to celebrate their achievements,” said Alistair Smith, editor of The Stage theatrical publication.
“This year there are several individuals with south Asian heritage being recognised for their excellence in directing: among the nominees is Amit Sharma for Ryan Calais Cameron’s Retrograde (in the Best Creative West End Debut category),” said the awards panel in a statement.
Also nominated are Adam Karim for Guards at the Taj at the Orange Tree Theatre, London, and visionary Indian filmmaker Aditya Chopra for Come Fall In Love at Manchester’s Opera House, who are both in the running for the best director category, the statement added.