Actors Kangana Ranautand Arun Govil, who were named as part of the list of 111 candidates for the Lok Sabha polls by the ruling Bhartiya Janta Party (BJP) on Sunday, expressed happiness and gratitude to the political party for nominating them for the upcoming elections.
Ranaut said she is elated to officially join the political party and is looking forward to being a reliable public servant.
The news of Ranaut taking the political plunge comes months after she hinted at entering electoral politics when she offered prayers at Gujarat's Dwarkadhish temple in November 2023.
In its fifth list of candidates for Lok Sabha polls 2024, the Bharatiya Janata Party said the four-time National Award winner will contest on a ticket for the party from Himachal Pradesh's Mandi constituency, her birthplace.
In an X post, Ranaut, who has been a vocal supporter of the ruling party and Prime Minister Narendra Modi, said she is honoured to join the BJP.
"My beloved Bharat and Bhartiya Janta's own party Bharatiya Janata Party (BJP) have always had my unconditional support, today the national leadership of BJP has announced me as their Lok Sabha candidate from my birthplace Himachal Pradesh, Mandi (constituency).
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"I abide by the high command's decision on contesting Lok Sabha polls. I feel honoured and elated to officially join the party. I look forward to being a worthy 'karyakarta' and a reliable public servant. Thanks," the 37-year-old actor wrote on her Instagram Stories.
In 2022, Ranaut said she has a keen interest in politics but has no plans to enter it professionally.
Besides Ranaut, Ramayan star Arun Govil has been fielded by the BJP from the Meerut Lok Sabha seat in the upcoming polls.
The actor thanked Modi for entrusting him with such a big responsibility.
"Heartfelt gratitude to Shri Narendra Modi ji and the selection committee who have given me such a big responsibility by making me the MP candidate of Meerut. I will make every effort to fully live up to the trust of the Bharatiya Janata Party and the expectations of the public… Jai Shri Ram @narendramodi @BJP4India @BJP4UP," the 66-year-old actor, who essayed PM Modi in the recently released film "Article 370", wrote in an X post.
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Recently, Govil and singer Anuradha Paudwal joined the BJP.
Ranaut, Govil, and Paudwal were some of the several film personalities who attended the grand consecration ceremony of the Ram temple in Ayodhya in January.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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