Canadian composer, lyricist and singer Jasmine K Kara made an impact with her popular 2021 debut single Ishq.
She recently revisited the song, featuring the vocals of her music collaborator, Sabrina Sapal, by working with British music producer, Rishi Rich, to do a remix.
To mark the newly released version of Ishq, Eastern Eye got music maestro Jasmine to select 10 songs she loves.
Ishq (Rishi Rich remix) by Jasmine K Kara Ft. Sabrina: This special track is the first one I wrote, and this remix marks my vocal debut with my dream collaborator, Rishi Rich. The song gets me pumped every time I hear it. The verses are all about embracing love, with feel-good vibes throughout. The music video captures real and amazing behind-the-scenes moments that went into creating this song.
Kiss Goodbye by Jasmine K Kara Ft. Sabrina: This track let me express the raw and complex feelings that come with a breakup in a beautiful and creative way, as a producer. I was inspired by Sweet Dreams (by Eurythmics) and love that Kiss Goodbye gives me the same rush every time it hits the drop. The track was also meaningful because it marked my mainstream English debut.
Dance With You by Rishi Rich Project: This just gets anyone dancing, no matter your background. The track, way ahead of its time, brought together eastern and western sounds like no other before it. My friends and I used to dance along to it in empty classrooms back in junior high. Many years later, I still blast this one on drives!
Mere Khwaabon Mein Jo Aaye from Dilwale Dulhania Le Jayenge: Who didn’t want to be Kajol in this daydreamer song when it came out? I loved the dramatic irony that was created with the audience knowing there were two restless individuals perfect for each other, while they were unaware; it was simply magical.
O O Jaane Jaana from Pyaar Kiya To Darna Kya: I’m a total romantic dreamer! Similar to the Ishq Remix and Mere Khwaabon Mein Jo Aaye, O O Jaane Jaana is like the guy perspective of the same yearning sentiment. The notion of holding a certain faith that true love exists is simply beautiful and reminiscent of faith in a higher power.
Dekhte Dekhte from Batti Gul Meter Chalu: This is a beautifully poetic song, with the composition and lyrics complementing each other so well. The double-edged blade of love can be so constructive and deconstructive when wielded, and this song captures this duplicity, wonderfully.
Maahi Ve from Wajah Tum Ho: Part of what makes love so beautiful is how empty life can feel without it, and few songs capture those moments of yearning as well as Maahi Ve. Neha Kakkar really does justice with her heartfelt vocal performance, on a song with many lyrical metaphors that resonate meaningfully throughout it.
Right Here Waiting For You by Richard Marx: This timeless classic reminds me of the undying devotion characterised in some of my favourite Bollywood movies like Mohabbatein. Loyalty is one of my top values, and I love that this song centres on a theme of unconditional commitment to ‘the one’, regardless of challenges and hardships.
Cry Me a River by Justin Timberlake: I’m a huge fan of Timbaland’s production style, and JT’s heartfelt vocals, which bravely turned a real personal trial and tragedy into a beautiful piece of art. I’ve since worked on channelling any personal trials in the same artistic direction and think back to this song’s creative sampling when looking for production inspiration.
Careless Whisper by George Michael: This 80s tune has an unforgettable saxophone riff that always gives me goosebumps! Also, the soulful vocal performance by George Michael left an impression on generations of listeners. If anyone is to sing, it should be with an aim to feel as honestly through the vibrations of the mic as he did for this epic hit.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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