FOREIGN ministers of Muslim nations began meeting in Pakistan on Tuesday (22) as the country's leader trumpets his Islamic credentials while at the same time battling the most serious challenge to his rule in four years.
The Organisation of Islamic Cooperation (OIC) is meeting in Islamabad with an ambitious agenda that seeks approval for more than 100 declarations, including aid for financially strapped Afghanistan and support for the Palestinians and Kashmir.
The meeting is also attended by China's foreign minister Wang Yi despite Beijing being criticised for its treatment of Muslims in Xinjiang province.
But as officials praise Pakistan prime minister Imran Khan for getting the United Nations last week to formally recognise Islamophobia as a global threat, the cricket star-turned-politician faces a no-confidence vote in the National Assembly.
In a hectic week on the political front, the country on Wednesday (23) also celebrates Pakistan Day, with a military parade and flypasts.
The theme for the OIC gathering is "Partnering for Unity, Justice and Development".
Khan won office through an electorate weary of the two-party dynasties that have dominated Pakistan politics since independence - periods of power punctuated by military coups - but he seems to have lost that support, and perhaps the Army too.
"I think the army leadership must be extremely concerned seeing what is happening on the political scene at the moment," said Talat Masood, a retired general-turned-political analyst.
Khan has called for a million of his supporters to rally in the capital to put pressure on dozens of National Assembly members who are reported to be considering voting against him.
The leaders of the two main opposition parties have also called for their supporters to gather, prompting authorities to declare most of this week a public holiday in the hope of avoiding conflict - particularly during the OIC meeting.
'Poorly managed'
"It is dragging the country to chaos," Masood said.
"It seems that the government and opposition parties are on a collision course. They don't seem to solve the problems politically, and rather try to show their street power."
The no-confidence motion is scheduled to be formally introduced on Friday (25) with a vote next week, but horse-trading is common in Pakistan politics and the rebels could well return to the fold before then.
"He has managed his own and allied political parties poorly," political analyst Hasan Askari Rizvi said of Khan.
"It was his failure to keep the party and allies together that has brought him to this."
Although Pakistan escaped the worst of the Covid-19 epidemic, the economy is in the doldrums with soaring inflation, a feeble rupee, and crippling debt.
The return of the Taliban to power in neighbouring Afghanistan has also provoked a resurgence of militancy in Pakistan - including the bombing of a Shiite mosque in Peshawar last month claimed by the local chapter of Daesh that killed more than 60 people.
With flaring domestic issues, Khan has tried to position himself on the international stage, but his insistence on continuing with a visit to Moscow last month as Russian troops invaded Ukraine perplexed even his most ardent admirers.
He was also one of the few world leaders to attend the opening of the Beijing Winter Olympics when others boycotted in protest at China's human rights record.
There are several scenarios at play for Pakistan this week.
Khan's PTI party is pursuing a court case against rebellious members that could force them to follow the whip.
Another tactic is for parties to, quite literally, hold lawmakers hostage and prevent them from voting or having a quorum.
And even if Khan does lose the vote, there will likely be a series of challenges both inside and outside the assembly.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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