Popular actor Nandish Sandhu, known for essaying lead characters on such successful shows as Uttaran and Beintehaa and also for playing superstar Hrithik Roshan’s brother in Super 30 (2019), says he is enjoying the space of films and streaming shows. The actor makes his digital debut with the streaming show Undekhi 2 which premieres today on SonyLIV.
Eastern Eye recently caught up with Sandhu to know more about Undekhi 2, his character in it, and how he bagged the part. The actor also talked about how the coronavirus pandemic has changed him and his conscious decision of staying away from television.
How nervous or excited are you about Undekhi 2?
Both at the same time, I would say. Excited because the trailer looks really good and the excitement has grown after seeing the trailer. When I saw season 1, the excitement was already there but I did not expect the trailer to be so good. Honestly, it has exceeded my expectations. I am a little bit nervous because it is my OTT debut, so I am slightly nervous about the fact that how the audience is going to accept me on OTT.
You are the latest addition to the cast of the show. Was it initially difficult to just get in the groove because everybody else picked up where they had left in the first season?
Honestly speaking, not really because the team was really good. And I am talking about not on the set, I am talking about off the set. I clicked with each one of them really well and a lot of the credit goes to the director because, you know, a lot depends on what kind of mood the director is setting on the set. So, because he is so cool about everything, he is so friendly, so he believes in creating a good environment on the set. I think everybody followed that and I was very warmly welcomed into the team and that made things easy for me to say because that barrier did not have to be crossed or there was no effort that needed to cross that barrier. So once you become friends with everybody on the set, then you don’t have to worry about that. The only thing that you need to focus is on your craft and your acting, the script, and everything.
Tell us something about the character you are playing and what made you say yes to it?
Well, I am playing Samarth who is a businessman and all his decisions are based purely on business and money and things around it. He doesn’t have any weaknesses. There is no scope for any emotional decisions that he has to make. He is a shrewd businessman and slightly arrogant. Like I would say more than confidant. He is, of course, confident but he is a little arrogant because he knows his stuff. He is very intelligent, well educated. He has done his master's in business from the US and he comes from a wealthy family. All these characteristics when they were told to meet before we started shooting, that’s how we started shaping the character gradually, and Samarth is all of this. There are a lot of things I want to say but I can’t right now because it would somewhat give away what is happening in the story. But yeah, with all these characteristics, you are going to have a blast seeing Samarth.
How did you get that part?
I auditioned for it and the time was such because this was during the lockdown last year and most of the auditions were happening at home on zoom calls. So, my audition happened over a zoom call. I got a call from Kavish (Sinha), the casting director and he had tested me for a couple of things earlier also. So, I guess he felt that I fit the part. He called me, I gave my audition over a zoom call and things followed.
The coronavirus pandemic hit all of us really hard. Did any of your projects face a setback because of it?
I think, yes. Everybody did and so did I. There were a lot of films lined up for me after my last film release and everything went on hold suddenly for a year and a half. It was a long wait period. You know, everything was at a standstill. Professionally, yes, it was slightly frustrating that I kept waiting that when my project is going to start when the shoot is going to start and a couple of things that I had signed were not taking off. So it was a frustrating period, but, you know, talking to my family regularly, having some good friends in life really helped because during that time, you can sway either way. Either you can make it productive or whatever. You have all the time available with you. Whether you crib about it or you make the most out of it. So, my friends and family helped me during that time. Then I made some productive use of the time that I had on hand.
What is the most important lesson that the pandemic has taught you?
For me, I think the most important lesson is very simple, nothing is so important that you need to lose your sanity over it, you need to become obsessive about it. Whether it is your work or something that you love, somebody that you love, or whether it is something that you want to achieve in life. You need to go easy with yourself and it is very important to give yourself time to unwind and think and not just be in the rat race to reach the endpoint. What I have also started doing is enjoying the process more after the pandemic.
It has been a couple of years since you haven’t taken up any television show. So, was it a conscious decision to stay away from TV?
Yes, it has been a conscious decision and it is nothing that I don’t want to. It is not that I have quit or I don’t want to. Those are very strong words to put there. But yes, and I have said this before also that I am enjoying this space of films and now OTT. I am exploring it for the first time. I was enjoying that space also. I had already done television for a few years. So yeah, I want to see how it goes here in OTT and film. I had already explored a lot in television earlier.
TV is always accused of being regressive. Do you agree?
You can’t generalize it. But on the whole, yes, it is. We can’t generalize it but you always go with what is happening the majority of the times. So, yes, a lot of shows are like that but there is good content also being made on television, and recently after the OTT has come in since the last few years there is slight change happening in the kind of shows that are being made. Plus, there are a lot of reality shows that have come in, people like watching reality shows. Even my family, more than serials, they love watching reality shows. So, yeah, times are changing.
But do you think that the popularity of streaming platforms will make television redundant a couple of years from now?
No, I don’t think so. There is still a huge audience for television and the majority of our population still doesn’t have access to the internet or they can’t afford to pay for plans or wi-fi. They still rely on watching television for their entertainment and I think it will not go so easily. It will take a long, long time for OTT to completely take over television. It will happen eventually but not so early.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.