The shoot of Hrithik Roshan and Saif Ali Khan-starrer action film Vikram Vedha has been completed, the makers said on Friday.
Billed as an edge-of-the-seat action crime thriller, the movie is based on the popular Indian folktale "Vikram Aur Betal". It tells the story of a tough police officer (Khan) who sets out to track down and hunt a menacing gangster (Roshan).
The upcoming Hindi movie is a remake of the 2017 Tamil blockbuster of the same name, which starred R Madhavan as a cop and Vijay Sethupathi as a gangster.
Filmmaker duo Pushkar and Gayatri, who helmed the original film, have directed the Hindi version as well.
Roshan said he had to break out of the mould of being the hero and step into new territory to play the role of Vedha.
“Becoming Vedha was unlike anything I've ever done before. I had to break the mould of being the 'hero' and step into completely unexplored territory as an actor. The journey felt like I was graduating. My relentless directors Pushkar & Gayatri kept me on a treadmill, silently motivating me to push boundaries,” the 48-year-old actor said in a statement.
Roshan credited co-star Khan and Yogita Bihani for bringing out the best in him.
“Looking back… I became the Vedha that I did, because of the powerful presence of Saif Ali Khan as Vikram. He is phenomenal in every way possible," he added.
Khan said working under the direction of Pushkar and Gayatri has been a rewarding experience.
“Pushkar & Gayatri are quite the dynamic duo with great creative energy and it's been very rewarding working with them. A complete icing on the cake and elevating experience for me was working with Hrithik and doing some intense action scenes,” the 51-year-old star said.
The director duo said they had an exhilarating experience shooting with Roshan and Khan.
“With our super talented and amazing crew, we've been able to achieve what we had envisioned at a script level. We can't wait to show our film to the audiences,” the filmmakers said in a joint statement.
The shoot of “Vikram Vedha” commenced in October 2021. The film has been shot at various locations such as Abu Dhabi, Lucknow, and Mumbai.
It also stars Sharib Hashmi and Satyadeep Mishra in promising roles.
“Vikram Vedha” is presented by Gulshan Kumar, T-Series Films, and Reliance Entertainment in association with Friday Filmworks and YNOT Studios. It is produced by S. Sashikanth and produced by Bhushan Kumar.
It is scheduled to be released worldwide theatrically on September 30.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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