Veteran Bollywood actress Hema Malini and lyricist Prasoon Joshi will be honoured with the 'Indian Personality of the Year' award at the International Film Festival of India (IFFI) as the festival on Thursday announced additional programming for the upcoming edition.
“Film actress Hema Malini and noted lyricist Prasoon Joshi, both will be awarded the Indian personality of the year at IFFI in Goa,” Anurag Thakur, Union Minister for Information and Broadcasting in India, told reporters in Shimla on the sidelines of the All India Presiding Officers Conference.
Meanwhile, Festival Director Chaitanya Prasad announced that the opening ceremony for the 52nd edition will be hosted by filmmaker Karan Johar and actor Manish Paul. It will be attended by Bollywood stars Salman Khan and Ranveer Singh, along with actors Riteish Deshmukh, Genelia Deshmukh, Shraddha Kapoor, amongst others, a press release stated.
Legendary filmmakers Martin Scorsese and Istevan Szabo will be honoured with the first Satyajit Ray Lifetime Achievement Award. “Unfortunately, they will not be attending the festival physically but their video messages conveying acceptance of the award will be played," Prasad said.
The festival will pay a special tribute to the late Sean Connery, who was the first actor to play the iconic character, James Bond. The film gala will also honour prominent Kannada actor Puneet Rajkumar as well as legendary actor Dilip Kumar, filmmakers Sumitra Bhave, Buddhadeb Dasgupta, Kannada actor Sanchari Vijay and National Award-winning actor Surekha Sikri.
IFFI will feature 148 films from about 73 countries in the International Section. The festival will have about 12 world premieres, about seven international premieres, 26 Asia premieres and about 64 India premieres.
Streaming service Prime Video is bringing its upcoming title, Nushrratt Bharuccha-starrer Chhorii, to the festival, setting the stage for the film's world premiere on November 25. The streaming service will also hold multiple masterclasses with the creators and cast of the critically-acclaimed series The Family Man and Shoojit Sircar’s Sardar Udham.
The 52nd edition of the International Film Festival of India is being organised by the Directorate of Film Festivals, the Ministry of Information and Broadcasting in collaboration with the Goa government.
The nine-day film gala will be organised in a hybrid format - virtual and physical – from November 20 to 28.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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