Genevieve Sabherwal: Speed Dial for mystery, puzzles, and physical comedy
By ASJAD NAZIRAug 10, 2022
High energy stage play Speed Dial has been delighting audiences at the Edinburgh Fringe festival.
The 1970s-set physical comedy thriller, filled with puzzles, a mystery and funny moments, has a talented cast that includes Genevieve Sabherwal. The talented British actress is enjoying being on stage with fellow cast members and was happy to discuss Speed Dial with Eastern Eye before the production premiered on August 3.
She also spoke about acting, her dream role, and being part of the huge arts festival.
What first connected you to acting?
Brought up in New Delhi, I was surrounded by my big Indian family, lots of drama and, of course, Bollywood. Always the shyest in the room, I quietly observed everyone and everything. I loved pretending to be them and create my own shows in my room.
Tell us about Speed Dial?
Speed Dial is an explosive physical-comedy thriller about connection and forgiveness. It is set within a university campus in the 1970’s; so be prepared to get your detective hat on as you follow the professor and the mystery of his missing daughter.
How does this compare to other projects you have done?
There is no hanging about with this show – you get thrown straight into the action, silliness, and movement. Having loved ones in different countries, I resonated with this story immediately, and naturally felt very attached to the script. Additionally, there is such a lovely energy in the rehearsal room, and a joint ambition from the ensemble to push the work.
What is your own favourite moment in the show?
I can’t give too much away, but there is a summer ball, and it’s epic. Be prepared to groove in your seats.
A Speed Dial poster
How do you feel being on stage?
I always feel proud to be sharing the story with the audience. When I’m nervous, I remind myself that this is a story for them, and I want to make it the best possible story ever.
How does comedy compare to other genres as an actor?
Comedy is so challenging. You have to be prepared to be vulnerable, silly, and make mistakes. It pushes you out of your comfort zone, and there is always the fear the audience won’t react the way you think; however, this is the beauty of it too, as no two audiences are the same.
Who is your acting hero?
Audrey Brisson has always inspired me. Ever since I first watched her in The Flying Lovers of Vitebsk by Knee High, I knew I wanted to be in theatre like her. Hopefully, we will be in the same show one day.
What inspires you as an actress?
The ability to share stories that need to be heard. To transport an audience to another world, taking them on a journey where they allow themselves to feel and see the world differently. I love that as an actress you can mould and shape yourself into anything and be anywhere. It allows you to embrace your imagination.
Do you have a dream role?
I would love to perform a mixed-heritage south Asian or English role at The National Theatre, in a show that uses contemporary ways to tell a story. We don’t see enough mixed heritage south Asians on our stages and screens, and we come in such an array of appearances that I feel it is so important to show this. I know it would have made a big difference to me, had I seen someone like me on stage or screen.
Why should we watch Speed Dial?
You should watch Speed Dial because not only will it make you laugh, dance, question society, and bring out your inner detective, it will also pull at your heart strings, make you think about your own loved ones, and, hopefully, everyone will pick up the phone afterwards.
Speed Dial by Spies Like Us in on from August 3-29 (not 16), 2.30pm (75 minutes) at Pleasance Dome, Queen Dome, 5 Bristo Pl, Edinburgh EH8 9AL www.edfringe.com
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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