Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Malayalam cinema’s biggest thriller series is making a comeback! Mohanlal has officially announced that Drishyam 3 is in the works, once again teaming up with director Jeethu Joseph and producer Antony Perumbavoor. The news has sparked excitement among fans, as the Drishyam franchise remains one of the most celebrated crime thrillers in Indian cinema.
The announcement came via Mohanlal’s social media, where he shared a picture with Jeethu and Antony, captioned, “The past never stays silent. Drishyam 3 confirmed.” This cryptic powerful message hints at the suspense-filled narrative the series is known for.
Released in 2013, Drishyam changed the game for Malayalam thrillers. The story of Georgekutty, an ordinary man who goes to extreme lengths to protect his family, resonated with audiences across India. The film was later remade in multiple languages, including Hindi, Tamil, Telugu, Kannada, Sinhalese, and even Mandarin.
Eight years later, Drishyam 2 premiered on Prime Video and managed to surprise audiences yet again. Picking up from where the first film left off, the sequel was praised for its clever storytelling and shocking twists. However, it ended on an ambiguous note, leaving fans wondering what’s next for Georgekutty and his family.
While details about the storyline remain under wraps, director Jeethu Joseph has previously hinted that he has a fitting conclusion in mind. In an interview, he revealed that while the film’s climax is clear in his head, he is still working on connecting the dots. With Mohanlal’s confirmation, it is evident that the team is now confident about moving forward.
Over the years, Jeethu and Mohanlal have worked on multiple projects separately, but Drishyam remains their most iconic collaboration. Fans have been asking about Drishyam 3 ever since the second instalment ended on a cliff-hanger, and now, their wait is finally paying off.
As production gears up, more updates about the cast and release timeline are expected soon. Until then, fans can only speculate—what new challenges await Georgekutty? And will he once again outsmart the law?
One thing is certain: Drishyam 3 is set to keep audiences on the edge of their seats, just like its predecessors.
Production houses confirm three-way collaboration between Mehta, Pellissery, and Rahman
Film currently in casting stage with shooting planned later this year
Pellissery's track record suggests an unconventional take on the romance genre
Rahman returns to work with Mehta after their Gandhi series collaboration
Project marks Pellissery's first major crossover into Hindi film circles
Wait, read that again. Hansal Mehta's production is backing a romantic drama from Lijo Jose Pellissery. And AR Rahman? He's building the entire soundscape for it. The combination feels almost unreal, right? It's like three separate rivers of filmmaking talent suddenly crashing into one project.
Hansal Mehta teams up with Lijo Jose Pellissery and AR Rahman for a lyrical romantic drama. Getty Images/goodadsmatter.com
What's the actual plot of this pellissery film?
They're keeping story details locked down tight. The official line calls it a "lyrical exploration of love," which sounds nice but means very little coming from a director known for chaotic chases and funeral processions that spiral into madness. The script comes from Pellissery and writer Karan Vyas. Given Pellissery's history, expect something raw and unpredictable rather than rose-tinted. His approach to human relationships typically involves peeling back layers until things get messy.
Look at their backgrounds. Mehta built his name on biographical dramas and sharp social commentary. Pellissery operates in his own cinematic universe where conventional rules do not apply. Rahman's involvement guarantees the music will be another character entirely. Sahil Saigal from Mehta's production company called it "momentous" and for once that does not sound like empty producer talk. This feels like one of those projects that could actually shift how Indian films get made.
No confirmed release window yet; these things take time, especially with directors as particular as Pellissery. The production houses involved are Mehta's True Story Films and Amen Movie Monastery. This also marks the second time Rahman and Mehta have worked together after finishing their Gandhi series, which premiered at Toronto last year.
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