Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Once upon a time, Disney’s live-action remakes were gilded cash cows, reliable as sunrise. Then came Snow White (2025), a film so steeped in controversy it’s less a fairy tale and more a Hollywood horror story.
Leaked set photos revealed the crime scene: dwarfs replaced with CGI homunculi straight out of a beta-stage video game, a forest that looked less like an enchanted kingdom and more like a screensaver. And at the heart of it all? Rachel Zegler, a talented actress caught in a culture war crossfire while a £410 million (₹3,970 crore) budget haemorrhaged in real time.
Hollywood’s magic mirror is cracked, and the reflection isn’t pretty.
ACT II: THE DWARF DEBACLE (Or, how Peter Dinklage set Disney’s PR on fire)
Peter Dinklage, the Game of Thrones icon and Hollywood’s loudest dwarfism advocate, called out Disney’s remake as “****ing backward.” The studio panicked. Their solution? Erase the seven dwarfs and replace them with a “diverse band of magical creatures” rendered in CGI.
Rachel Zegler as Snow White—caught between a fairy-tale and a cultural firestormInstagram/SnowWhitemovie
Cue the firestorm.
“They erased us twice,” fumed actor Danny Woodburn from Seinfeld. “First by sanitising our stories, then by digitising our jobs.” The backlash only grew when it was revealed that Martin Klebba from Pirates of the Caribbean would be playing all seven dwarfs via motion capture. Because, apparently, representation is best achieved by one actor playing an entire community.
The Sin: Using performative progressivism as a smokescreen for profit.
Disney’s CGI-heavy remake faces backlash for its overreliance on digital landscapesInstagram/SnowWhitemovie
ACT III: CGI’S FAUSTIAN BARGAIN
CGI was meant to set imagination free. Instead, it built a gilded cage.
From The Lion King (2019)’s dead-eyed lions to Ant-Man 3’s CGI soup, Hollywood keeps churning out lifeless, high-budget tech demos. Snow White falls into the same trap: an over-reliance on CGI that drains every ounce of magic from the screen.
Now let us compare that to Dune: Part Two’s visceral, sand-choked landscapes, Fury Road’s brutal, bone-rattling car chases, Avatar: The Way of Water’s breathtaking fusion of practical and digital. The lesson? Audiences crave texture, weight, reality.
Snow White (2025) joins the ranks of Hollywood’s most expensive, high-risk productionsInstagram/SnowWhitemovie
Hollywood, however, is too busy deep faking its own obsolescence.
ACT IV: THE AI OVERLORDS COMETH
Disney’s The Mandalorian used AI to generate entire planets. Now, industry whispers warn of “render farms replacing resumes.” Writers' rooms fear a future where scripts are AI-generated templates, repeating the same formulas in pixel-perfect monotony.
If studios can deepfake actors and motion-capture entire species, what’s stopping them from replacing human performances altogether? Snow White’s CGI dwarfs are harbingers of an industry willing to trade authenticity for algorithms.
Box office predictions place Snow White among Disney’s most divisive live-action filmsInstagram/SnowWhitemovie
The Horror: The day Hollywood realises it’s cheaper to code actors than pay them.
ACT V: THE AUDIENCE STRIKES BACK
Box office numbers don’t lie.
Barbie : £1.1 billion (₹10,650 crore)—a fever-dream spectacle made with practical sets and sheer creativity.
The Little Mermaid : £456 million (₹4,400 crore)—a CGI-smeared nostalgia cash grab that barely broke even.
Oppenheimer : £707 million (₹6,850 crore)—practical IMAX explosions.
Quantumania : £374 million (₹3,620 crore)—a quantum mess of AI-generated sludge.
The reimagined fairy-tale—does it still hold the same enchantment?Instagram/SnowWhitemovie
The verdict? Practical is revolutionary. Snow White, with its plastic landscapes and CGI crutches, ignored the memo. Early tracking suggests a flop of John Carter proportions.
ACT VI: THE HYBRID HOPE
Not all CGI is cursed. When used right, it’s sorcery.
Avatar 2’s water physics? Flawless.
Dune’s sandworms? Terrifyingly tangible, right?
Digital dreams or a pixelated nightmare? Snow White divides audiencesInstagram/SnowWhitemovie
The fix? Maybe a hybrid revolution?
Cast real actors + maybe enhance with CGI (see: Lord of the Rings’ scale tricks)
Try building real sets, then augment (like Dune’s brutalist world)
Pay VFX artists their worth (Marvel’s burnout crisis is a crime)
Disney had the budget, the time, the legacy. Instead, they chose the path of least resistance, and sadly, it shows.
ACT VII: THE CURSE OF THE SLEEPING STUDIO
Snow White is more than just a bad remake. It’s a referendum.
Will Hollywood keep chasing algorithmic trends or rediscover the alchemy of real filmmaking? Will it listen to marginalised actors or render them obsolete?
Gal Gadot commands the screen as the Evil Queen, exuding regal menace and icy charmInstagram/SnowWhitemovie
The magic mirror has spoken:
“You’re the fairest of them all until you forget what ‘fair’ means.”
Now, will the industry eat the poison apple? Or spit it out and wake up?
FADE TO BLACK
Nostalgia vs. innovation—does Snow White find the balance?Instagram/SnowWhitemovie
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
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FAMILY and friends offered their final eulogies to Lord Swraj Paul at his funeral at Golders Green Crematorium in north London on Wednesday (27).
It had rained earlier in the morning, but by the time mourners emerged from the West Chapel after a simple and dignified 40-minute service, led by Dr MN Nandakumara, executive director of the Bhavan in West Kensington, the sun had come out.
Lord Paul’s twin sons, Akash and Ambar, and daughter, Anjli, and their children lined up to be comforted by a long line of people who had admired the steel tycoon, who died on August 21, aged 94.
The chapel had a garlanded portrait of Lord Paul against the background of the Om symbol. This was later moved near the Garden of Remembrance by a wall with memorial plaques.
The service spoke of the Hindu belief that the soul is eternal, as set out in Lord Paul’s funeral notice: “For the soul, there is neither birth nor death at any time. It has not come into being, does not come into being, and will not come into being. The soul is unborn, eternal and primeval. It is not destroyed when the body is destroyed.”
From the eulogies, MBA students would have gained an understanding of why Lord Paul had made such a remarkable success of the Caparo steel business he had founded in 1968, and, perhaps, more important, found a way of making friends in the UK, India and America.
Sarah Brown, wife of the former prime minister Gordon Brown and the first to offer her reflections on Lord Paul, began with a reference to his time in the upper house since 1996.
“Oh, he did love the title and the prestige and power and even the pomp of the House of Lords,” she said. “There is no doubt that he fulfilled the greatest of lifetime achievements across his 94 years as a captain of industry, as a peer of the realm, as one of India’s most high-profile and best loved sons, as a great philanthropist, and as the rescuer and guardian of his beloved London Zoo.”
She said Swraj and his wife, Aruna, who passed away in 2022 after 65 years of marriage, “really were the original power couple. But for all that, he was also happy to just be Swraj – a family man and a great friend with a loyal and often sentimental heart. He led such a big life full of huge ups, but also the saddest and most heartbreaking of downs.”
She went on: “Losing (his daughter) Ambika aged just four and (his son) Angad (aged 45 in 2015) far too soon are without doubt the saddest of those times for Swraj and Aruna and for all the Paul family. But you all know how very proud he was of all his children and their spouses, Akash and Nisha, Ambar and Gauri, and of Anjli, and (Angad’s wife) Michelle.
Members of Lord Paul's family meet mourners after the funeral
“That he lived to see and know his grandchildren and his great grandchildren brought the greatest pleasure – I would often visit Swraj for a cup of decaf coffee and most of the conversation was about family – including his affection for my own children and for Gordon.”
She recalled she and her husband had lost their baby daughter, Jennifer Jane, in January 2002, just ten days after her premature birth on December 28, 2001.
“I know that my closeness in age to Ambika, and that Gordon and my loss of our baby daughter brought Swraj and me together all the more in common understanding of how to live well and fully with love for everyone around you, despite holding on to the broken pieces inside you for those you miss so much,” she said.
She did not forget to thank those who had looked after Lord Paul in his final years: “I want to extend gratitude to Salma and all the team of carers as well as Jo (Clarke) at the office – you were like an extra extension of family too and he received the best of care in his last years; and Elizabeth Allan who was his loyal PA for many years and later his friend to the very end.
“The family motto is, ‘Truth, freedom and compassion,’ which he did his best to live up to. I don’t think there is anyone else about whom you could say more strongly that he lived life on his own terms. And he was a great one for paying it forward as he recognised his good fortune in life. Alongside his philanthropic causes, he also gave his time to me first at the Labour Party and later as the founding chair of trustees of PiggyBankKids, now the charity Theirworld, sharing his time and wisdom generously.”
Sarah remembered: “I met him over 35 years ago when I was very junior and trying to organise events for high level Labour Party supporters and he signed up and turned up. With Lord Paul on the attendance list, I would persuade everyone else to come along too to learn more about what New Labour might deliver in a future government.”
Her husband (who followed the funeral online) was not able to attend because of work commitments, but “Gordon asked me to share that ‘nobody did more to prove that you can do good and do well at the same time. He leaves behind a legacy of achievement and success. But, most of all, he was a family man who cherished his wonderful wife Aruna and all his amazing children and who was a friend to all who knew him: no one can forget the winning smile, the happy demeanour, the welcoming hand, his very human qualities, that made him popular on every road he travelled. He will be mourned in every part of the world, always to be remembered, never to be forgotten.’”
Sarah said: “I couldn’t agree with Gordon more that it is Swraj’s family who are his true legacy. Together the children, grandchildren (and even if they don’t know it yet, the great grandchildren) are faced with an enormous opportunity to take forward these values, the hard work and the responsibility of the different Caparo businesses and philanthropies.
“I know that each Paul family member brings different strengths and focus to different parts of the world, to growing the business in India, in the US with their tremendous Bull Moose colleagues, and here in the UK. Some of you bring wisdom and experience, others your youthfulness and fresh ideas.
“You all share his talent, his charisma, and his belief in the Paul family name. Together you can choose to pool those strengths and skills to build something even greater. The Paul family name appears on plaques in significant places of education, culture and community around the world – now the Paul family themselves will be the living embodiment in action – and I am sure that wherever the lasting spirit of Swraj, Aruna, Angad and Ambika are, that their guiding light will be there to encourage this stewardship and make you all worthy of the big footprints left for you to follow.”
Sarah was followed by Cherie Blair, wife of the former prime minister, Sir Tony Blair: “I’m grateful to the family for asking me to deliver these remarks on behalf of Tony, who is in America at the moment, and myself.”
It later emerged her husband was in the White House with US president Donald Trump, discussing possible plans for Gaza, in case there was a peace settlement.
“Swraj’s life is an epic journey of achievement from Jalandhar in the Punjab to Marylebone, the House of Lords in Westminster, on that journey,” said Cherie. “And in so many ways, his life was transformed in wealth, position and standing. But in one way, the Swraj who started life in India was the same as the one who breathed his last here in London.
“His character was constant, true to himself, his values and to others, those he knew intimately and those he barely knew at all, but whose lives were changed through his generosity of spirit. Swraj was a remarkable entrepreneur, philanthropist and public servant from those beginnings in India to his long service in the House of Lords. He was always striving to make the world a better place.
“He built Caparo through hard work and determination, but he never defined himself only by business success. He believed profoundly in using his good fortune for others. The loss of his beloved daughter, Ambika, shaped his lifelong philanthropy. Through his generosity, he brought hope and opportunity to children and communities across the world. We remember, especially, his contribution to our Olympics bid and his tireless efforts to improve the life of the poorest.”
Cherie concluded: “He was a proud Indian, a proud Briton, and above all, a proud servant of humanity. He will be deeply missed by all who knew him, by the communities he served and by the many lives he touched.”
There was also a speaker from America where Lord Paul’s Bull Moose has extensive steel and manufacturing interests.
Jim Dankenbring, who has looked after Lord Paul’s legal affairs for 30 years and who had flown over from Missouri, accompanied by his wife, Vicky, said: “I am truly humbled and honoured to be here to speak and pay tribute to clearly the most accomplished person I ever had the pleasure of working with.”
In 1988, at the age of 57, Lord Paul had bought two relatively small companies in the US, but he was not an absentee proprietor: “Back then in the late 1980s, early 1990s, TWA airlines had daily non-stop flights to and from London, and Lord Paul took advantage of that. He began each week with a flight to St Louis, where he would land and immediately proceed to the plant. He’d roll up his sleeves, he’d work with his management team. He’d work with his plant workers, plant manager, the factory workers on the floor, and they would grow that business beyond belief.”
Lord Paul, who studied at MIT, might well have settled in the US, had it not been for Ambika’s death in England.
His visits to the US “continued up until last year,” said Dankenbring. “In fact, he would come to the States at least once a year, often times twice a year. He’d fly to Chicago, he toured the plants throughout the Midwest, and then end up his stay in St Louis, where we would meet him, greet him. We would hold meetings with the management team. He would go out on the floor, greet the factory workers. And then the best part was, in the afternoon, he would have town hall meetings, as he liked to call them, in the lunch room, with the entire team of factory workers. And they would talk, and they would ask questions, and they would laugh, and Lord Paul would impart an amazing array of wisdom and encouragement like I’ve ever seen between ownership and labour. It was incredible. I gotta add also there were great times for his sense of humour to come forth. We all know that infectious belly laugh that Lord Paul loved, and that we loved. I’m going to miss that, dearly.
“It’s that personal touch that Lord Paul brought to his team that I believe was essential in transforming what started out as a small tube company into a business that’s now one of the largest steel pipe and tubing business throughout North America, with a capacity of a million tonnes.
“The journalists here in the UK like to refer to Lord Paul as the ‘man of steel’ for two obvious reasons. Number one, obviously his success within the steel industry, but also because of his tremendous resilience despite personal hardship and tragedy. Man of steel is certainly an appropriate description of Lord Paul. But I would suggest one more label for him, based upon what I saw, and that is ‘man of the people’.”
Anjli Paul was emotional as she spoke for the family: “In the past few days, I’ve heard so many words used to describe my father: legend, dynamic, inspirational, powerhouse, man of steel, visionary. And he was all of these — and more.
Lord Paul's portrait by the memorial plaques in the Garden of Remembrance at Golders Green Crematorium
“This is the legacy he has left us. Wherever I go, I will always be known first as Lord Paul’s daughter – and that title carries honour — it’s something to be proud of and something to draw strength from. I am who I am because of him.
“When any parent passes, there is a void. However, my father was no ordinary parent. His powerful presence filled our lives completely, and now the emptiness feels almost impossible to comprehend.
“In these last few days, the sadness has been matched only by pride. Tributes have poured in from across the world, reminding us again and again what an extraordinary person he was — a man who lived life entirely on his own terms, with countless achievements that made the Indian community proud and left a lasting mark here in the UK.
“Whether you knew him well, or only met him briefly, you probably have a story — his charm and wit, his sense of humour, his refusal to tolerate nonsense, his willpower and strength. These are the qualities that endeared him to so many, and these are the reasons his memory will prevail.
“I also feel that at this stage I must mention my mother who stood beside him for 66 years — a pillar of strength and unwavering support. She enabled him to be the man we all admired, sharing in his triumphs, comforting him through challenges, and creating a home filled with love and warmth. Their partnership was a testament to devotion, resilience, and mutual respect — a foundation that shaped our family and inspired everyone who knew them. Even though she passed in 2022, her influence remains with us, and I know that in spirit, she is reunited with him now.
“I feel privileged not only to be his daughter, but also to have been by his side at the end. Truly, this is the end of an era — but his influence, his example, and his love, will never leave us.”
Three of Lord Paul’s grandsons also spoke, including the youngest, Arki, who is preparing for his A levels. He lost his father, Angad, 10 years ago.
Lord Paul delighted in playing with Arki and his elder sister, Amalia, at The Grange, his 250-acre estate in Buckinghamshire.
Arki said fondly of his grandfather: “Some of my earliest memories are all of us at The Grange, where we used to go every weekend together. One of the favourite things to do with me was to sit me on his lap on his tractor when I was still small enough to fit. He was incredibly proud of the tractor and going around the lawns looking at the trees he planted there.
“He was quite impatient when he planted apple trees. He would sneak to the very established Pink Lady and proudly present his fruit and tell us that his new trees were working. Pink Lady apples were his favourite, and he always gave me the first piece.”
On a trip in 2014 to Jalandhar, where Lord Paul was born in 1931, Arki first became aware of the regard in which his grandfather was held: “The press came everywhere with us. My sister loved the cameras, but I found myself a little shy. To me, it was simply Dada, and I didn’t understand why all of these people were around, but to the people of his hometown, he was a hero. I love that he had these two sides, but to me, he was simply my beloved, kind and thoughtful grandfather who always had time for me, and I shall miss him.”
Among those who attended the funeral were the peers Karan Bilimoria and Rami Ranger; Barry Gardiner, the Labour MP for Brent North; Virendra Sharma, the former Labour MP for Ealing Southall; Yogesh Mehta, chairman of the removal firm Pickfords; Pippa Nightingale, CEO of London North West University Healthcare NHS Trust which includes Northwick Park Hospital (where Lord Paul gave a £500,000 donation to the maternity wing); and Reema and Girish Sanger, children of the hotelier Joginder Sanger, who passed away in February this year aged 82.
Also there was Lord Jitesh Gadhia, who said: “I first met Swraj Paul and his wife Aruna ji almost 36 years ago – in November 1989 – as a student, when I invited him to Cambridge University to address the India Society. He created a lasting impression with his warmth, wit and wisdom. A giant in every sense – and a true pioneer – who has inspired, and paved the way, for so many others to follow in his footsteps. Little did I anticipate that I would end up joining him in the House of Lords a few decades later. I remember fondly our many conversations over spontaneous cups of tea in Westminster over the last nine years. It was always impressive to see him make a special effort to attend until very recently, even with his growing frailty. We will miss Swraj ji deeply – but his legacy as an industrialist, philanthropist and public servant is profound – and will be felt for many generations to come.”
THE current debate about whether the imperial statue of Robert Clive should be removed from outside the Foreign Office in London once again reinforces the need to include British colonial history in the school syllabus.
The older generation were brought up to believe that the British empire was, on the whole, a civilising force for good, but younger people today take a much more jaundiced view of the way in large parts of the world – especially India, “the jewel in the crown” – were plundered and drained of their wealth.
After Winston Churchill, who is accused of aggravating the effects of the 1943 Bengal Famine in which two-three million Indians perished, the most controversial figure is probably Clive (1725- 1774), whose conquests were crucial in consolidating British rule in India. He is usually referred to as “Clive of India”.
His bronze statue outside the Foreign Office, by the sculptor John Tweed, was not erected until 1912. It shows him in formal dress with one hand resting on the pommel of his sword, the other clutching papers. The inscription on the statue’s pedestal declares him simply as “Clive”.
The latest debate has been provoked by the Labour peer Baroness Debbonaire, who would have been culture secretary had she not lost the newly created Bristol Central seat in last year’s general election to the Lib Dems. As the MP for Bristol West, she had supported the removal of the statue of the slave trader Edward Colston in 2018 – this was pulled down during the Black Lives Matter demonstrations in 2020.
Thangam Elizabeth Rachel Debbonaire (née Singh) was born on August 3, 1966, in Peterborough to a father of Indian and Sri Lankan Tamil origin and an English mother.
Speaking at the Edinburgh International Book Festival earlier this month, she said that Clive’s statue “continues to promote him in a victorious mode and as a symbol of something that had universal good. I don’t think it’s helpful for any visitor to the Foreign Office, particularly those of us from Indian origins in the diaspora, but also visiting Indian people, Indian dignitaries, ambassadors, trade ministers, to walk into the Foreign Office past that statue. I don’t think that presents Britain in a particularly good light in the 21st century.
Baroness Debbonaire
“What it doesn’t do is contextualise or indeed give any honesty about what his presence in India actually did. He extracted a vast fortune. His former home, Powis Castle in Wales, contains hundreds if not thousands of objects that he took.”
She added: “Before colonial rule, India was a very developed country. It understood free trade, it was trading with its neighbours – something the East India Company and the other colonising forces successfully crushed. Since independence, India has grown economically, scientifically, in engineering terms, in computing terms, artistic, and so on.”
There were some predictably hostile responses.
Andrew Rosindell, Conservative MP for Romford, said: “I condemn, in the strongest possible terms, the calls from Baroness Debbonaire to remove the historic Clive of India statue – an essential part of the architectural landscape outside the Foreign Office. Not least, it would smear the name of a war hero who not only secured British influence in India against French ambitions, but expanded it, laying the foundations for the unification of an Indian state. I stand, alongside patriotic societies like the Royal Society of St. George, in opposing this needless selfflagellating whitewashing of history, and defending our proud British heritage.”
GB News interviewed James WindsorClive, who is said to be Clive’s “greatgreat-great-great-great-great-grandson” who suggested “a debate on giving the statue context with a plaque rather than removing it.” He made the point that it was “unfair to judge an 18th-century soldier-statesman by 21st-century morals”.
Clive is blamed for the 10 million death toll during the Bengal Famine of 1770, when, as governor of the region, he i mp o s e d punishing taxation and land reforms.
But Windsor-Clive, 35, argued: “I don’t think we can airbrush our history as simply as that. We’ve got a proud tradition and history and heritage, and we shouldn’t be looking to hide it. I personally think that Robert Clive helped make Britain a global power. We shouldn’t apologise for our history, but we should learn from it and be proud of what we achieved during that period.”
GB News did not interview another of Clive’s descendants, John Herbert, the eighth Earl of Powis, who takes a rather more critical view of his ancestor.
He was interviewed in 2021 by the writer Sathnam Sanghera for a Channel 4 programme, Empire State of Mind, and expressed reservations about the statue of Clive that was erected in his hometown of Shrewsbury. The local council in Shropshire decided to keep the statue following a debate triggered by the Black Lives Matter protests.
Standing by the statue, Herbert said: “There was very much a request to bring it down and there were quite strong feelings. The council resolved in the end to keep it, but put a plaque on it that will tell us more. I have often wondered if it ought to come down. It’s very imperial and I’ve never been very comfortable with it. I have always wished it wasn’t here, put it that way.”
In 2020, Haberdashers’ Adams school in Newport, Shropshire, dropped “Clive” as the name of one of its houses because he had “played such a leading role in the ill-treatment of Indians and in the expropriation of Indian assets in his time as a British military leader and governor of Bengal”.
The historian William Dalrymple, author of The Anarchy: The Relentless Rise of the East IndiaCompany, is among those who support the “Clive must fall” movement: “Bengal’s wealth rapidly drained into Britain, while its prosperous weavers and artisans were coerced ‘like so many slaves’ by their new masters, and its markets flooded with British products. A proportion of the loot of Bengal went directly into Clive’s pocket.”
The eminent author Nirad C Chaudhuri published a biography, Clive of India, in 1975, which was even handed in assessing the man projected as “the greatest figure in the history of British India”.
The statue of Clive of India outside the Foreign Office entrance
He concluded that “the only legitimate interpretation (of history) is the historical one. In respect of Clive and the rise of the British Empire in India, I have tried to give that. With that I shall leave the account given in the book to take care of itself.”
It does say that “corruption and looting saw Clive amass a huge amount of wealth and he returned to Britain in 1760, aged 34” and that he later “defended himself in Parliament, saying, ‘By God, at this moment, do I stand astonished at my own moderation!’, and in 1773 Parliament declared that he did ‘render great and meritorious services to his country’.
” His “moderation” is reflected in the 1,000 artefacts dating from 1,600 to the 1830s displayed in the Billiard Room turned into the Clive Museum cum South Asian gallery at Powis Castle. The National Trust intends displaying the contents in a “culturally sensitive way”.
The old British view of colonial rule is reflected in a large portrait of Clive dominating a mantelpiece lined with the statutes of such Hindu deities as Vishnu, Krishna, Ganesh and Hanuman – “minor Gods,” according to a helpful volunteer.
Money did not buy Clive peace of mind. He allegedly cut his own throat with a penknife at his London house in Berkeley Square on November 22, 1774 and was hastily buried in St Margaret’s Church, Moreton Say, in Shropshire.
The Shri Kutch Satsang Swaminarayan Mandir in East London marked two major milestones this month with a week-long festival that drew more than 8,000 devotees and community members.
The celebrations, held from 10 to 17 August at Swaminarayan Sports World in Wanstead, coincided with the 38th Patotsav of the temple and the 23rd Patotsav of the installation of Shri Ghanshyam Maharaj. The event, named Manthan Mahotsav 2025, was held under the patronage of Pujya Acharya Shri Kaushalendra Prasadji Maharaj and S.G. Mahant Swami Shri Dharmanandandasji.
Dignitaries including Deputy Mahant Shri Bhagwatjivandasji Swami, Pujya Kothari Parshad Shri Jadavji Bhagat, Harrow Mayor Anjana Patel, councillors from Newham, Redbridge, Epping and Harrow, Professor Kishan Devani BEM, and members of the Shri Swaminarayan Gadi Parivar UK attended the occasion.
A highlight of the festival was the recitation of the ‘Vasudev Mahatmya Katha’ by saints of Bhuj Mandir. Revered within the Swaminarayan tradition, the text was being recited in the UK for the first time. The Katha began on 11 August and concluded with the Mahabhishek on the final day, inspiring devotees with messages of faith, unity, and service.
India’s Independence Day was also observed on 15 August with a flag-hoisting ceremony, the singing of the national anthem, and prasad distribution.
Alongside spiritual activities, the festival celebrated culture, education, and youth engagement. Students from the temple’s Gujarati school were honoured for outstanding results, including GCSE achievements in Gujarati. The youth wing organised a games night for children and teenagers, while a cultural evening featured traditional dances, plays, and devotional performances.
Temple leaders and saints reflected on its 38-year journey, emphasising values of love, respect, unity, and collective growth. Inspired by the symbolism of Samudra Manthan and this year’s Mahakumbh, the Manthan Mahotsav reinforced the Swaminarayan ethos of contemplation, harmony, and shared devotion.
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Born in 1864 in Visakhapatnam, Annie began medical studies at Madras Medical College, one of the few institutions in India then open to women.
DR ANNIE WARDLAW JAGANNADHAM was the first Indian woman to gain a medical degree at a British university and have her name added to the UK medical register in 1890.
Her story has been revisited by the General Medical Council (GMC) as part of South Asian Heritage Month. Tista Chakravarty-Gannon, from the GMC Outreach team, explored her life with support from GMC archivist Courtney Brucato.
Chakravarty-Gannon wrote in a blog, “In my role at the GMC much of my work is focused on supporting international doctors, and on anti-racism. It’s work that lies close to my heart. My father was born in India but emigrated to the UK in the 1960s.”
She added, “If you wind the clock back even further, it must have been even harder to make that journey and assimilate into a not particularly diverse society and profession. Unsurprisingly, in the late 19th century doctors were almost all male and white. It was going to take some remarkable women to turn that tide. I’ve been lucky enough to spend time talking to our archivist, Courtney Brucato, about one such woman – Annie Jagannadham.”
Early years Born in 1864 in Visakhapatnam, Annie was the daughter of Christian missionary parents. At 20, she began medical studies at Madras Medical College, one of the few institutions in India then open to women.
She studied practical midwifery under Dr Arthur Mudge Branfoot, who had spoken about the “folly and inadvisability of educating women as doctors.”
Barriers and opportunities Indian medical qualifications were not fully recognised under the colonial system. For women, studying abroad was often the only route to legitimacy.
In 1888, Annie received a scholarship from the Countess of Dufferin Fund to study at the Edinburgh Medical School for Women. The Fund, set up under Queen Victoria, aimed to improve women’s health in India through scholarships and support for health infrastructure.
She studied for the conjoint medical and surgical qualification of the three Scottish Colleges, known as the “Scottish Triple” or “TQ”.
Academic success Annie graduated with special credit, worked as a demonstrator of anatomy at Surgeons’ Hall, and achieved top marks in several examinations. On 2 May 1890, she was granted registration with the General Medical Council.
She then worked as a house officer at the Edinburgh Hospital for Women and Children under Dr Sophia Jex-Blake, who described her as of “fine and finished character.” Annie gained experience in obstetrics and gynaecology and was made a Licentiate of the Royal College of Physicians of Edinburgh, the Royal College of Surgeons of Edinburgh, and the Faculty of Physicians and Surgeons of Glasgow.
Return to India In 1892, Annie returned to India as a House Surgeon at Cama Hospital in Bombay (now Mumbai), under Dr Edith Pechey, one of the Edinburgh Seven who had campaigned for women’s right to study medicine.
Early death Two years later, Annie contracted tuberculosis. She returned to her family in Visakhapatnam and died in 1894 at the age of 30.
The Chronicle of the London Missionary Society published an obituary, noting, “it is to be feared that the early death, which those who knew her now mourn so deeply, was largely due to her self-denying labours on behalf of the sufferers in the hospital.” It added, “though the course [of her life] has been short, it has been useful and bright,” praising her independence, modesty, and “unostentatious service.”
Legacy On the 1891 medical register, Annie was one of 129 female doctors compared to more than 29,000 men. This year, for the first time, there are more female than male doctors practising in the UK, and more ethnic minority doctors than white doctors.
Chakravarty-Gannon wrote, “It’s important to remember that to be listed on the medical register, Annie was required to step outside the Indian system, navigate another culture away from her friends and family, and prove herself all over again – because her original education wasn’t recognised in a colonial hierarchy.”
“Dr Jagannadham may not be a household name, but her courage and determination helped carve out a path that many generations have since followed. Her story is a powerful reminder of how far we’ve come – and how important it is to keep moving forward.”
South Asian Heritage Month runs from 18 July to 17 August each year, commemorating and celebrating South Asian cultures, histories, and communities.