Benedict Cumberbatch's connection with India goes back to his teenage years and the Doctor Strange star says he hopes to return one day to interact with the country's "first superhero".
The British actor, who took a gap year after his school to travel to Darjeeling to teach English at a Tibetan monastery, fondly remembers his six-month-long stay in India.
"I love your country. I love your culture and cultures. It feels like I was there almost a lifetime ago, in my late teens for six months of teaching, exploring, and travelling as well. I'd love to have an excuse to come back and if that's to interact with the first Indian superhero, bring it on," Cumberbatch told PTI in a virtual roundtable interview for his upcoming film Doctor Strangein the Multiverse of Madness.
Part two of Marvel Studios' Doctor Strange (2016) marks the 45-year-old star's fifth appearance as Dr Stephen Strange aka Sorcerer Supreme in the Marvel Cinematic Universe.
When quizzed which Hindi movie actor he believes can be part of the MCU, the London-born actor asked for options and when suggested the names of Shah Rukh Khan and Hrithik Roshan, he said, “Khan is great.”
The two-time Oscar nominee, also known for his work on the TV series Sherlock and films The Imitation Game and The Power of the Dog, said he is aware of the popularity Doctor Strange films enjoy in India and hopes to deliver another entertainer with the much-awaited sequel.
Scheduled to be released in theatres across India in English, Hindi, Tamil, Telugu, Kannada, and Malayalam on May 6, Doctor Strange in the Multiverse of Madness has collected over Rs 10 crore in pre-sale booking in the country, according to distributors.
“It's very exciting to know the level of anticipation there is with pre-sales. I'm hugely grateful to my fans in India for supporting me throughout my career. I hope (this film also does well), but I'm not taking anything for granted,” Cumberbatch said.
“The only reason these films are watched is because we try to better them every time during the making of them individually... We are working tirelessly for it to be a success globally,” he added.
Doctor Strange in the Multiverse of Madness is directed by Sam Raimi and also stars Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, and Rachel McAdams.
The sequel follows Doctor Strange as he tries to contain the aftermath of the multiverse-fracturing spell he cast in the 2021 hit film Spider-Man: No Way Home -- which caused villains from across the multiverse to spill over into the central Marvel Cinematic Universe timeline.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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