Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Ahaan Panday opens up on being ‘wronged’ before his Bollywood debut
Actor admits he spent years in ‘blind optimism’ waiting for launch
Saiyaara has become the highest-grossing love story in Indian cinema history
The Mohit Suri directorial collected £53 million (₹563 crore) worldwide
Bollywood newcomer Ahaan Panday has revealed that he felt “wronged” by people in the industry before finally making his long-awaited debut with Mohit Suri’s Saiyaara. The 27-year-old actor, who comes from the well-known Panday family, said he lived in “blind optimism” for four to five years as projects kept falling through. Despite setbacks, Ahaan maintained that he never became bitter and channelled his struggles into his performance.
Ahaan Panday says years of blind optimism kept him going before Saiyaara Instagram/ahaanpandayy
Why was Ahaan Panday’s debut delayed for so long?
Ahaan was initially expected to be launched much earlier under Yash Raj Films, but several projects were shelved before they could take off. Speaking to The Hollywood Reporter India, he admitted:
“Have I felt wronged by people? Yes, I have. It wouldn’t be right for me to get personal about that, but as an actor, that’s where you take inspiration from. I just kept putting myself into different things. The first four-five years, I was entirely delusional, and people around me could sense it.”
The actor revealed he worked as an assistant director on The Railway Men while waiting for his break, using the experience to keep his morale intact.
Ahaan Panday revealed he worked as an assistant director before landing his debut role Instagram/ahaanpandayy
Did personal struggles affect Ahaan Panday’s journey?
Alongside professional delays, Ahaan also dealt with a personal tragedy; the passing of his grandmother, whom he called his “backbone.” He said she was the only person who called him a hero every day at home and losing her left him shattered.
He recalled: “My confidence started to break after that. The only way I could deal with it was to keep working. To even be on a film set was a privilege. I was never bitter because millions dream of this opportunity.”
This resilience, he said, helped him stay focused until the right opportunity arrived.
How did Yash Raj Films and Mohit Suri shape his launch?
Eventually, YRF head Aditya Chopra reached out to Ahaan’s parents, assuring them he would be launched under the banner. That led to Saiyaara, directed by Mohit Suri and co-starring fellow newcomer Aneet Padda.
For Ahaan, joining YRF was also deeply personal. His grandmother, who nicknamed him “Raj,” had dreamed of him becoming a Yash Raj hero. “It was instinctive for me to say yes. I grew up on this cinema. My Hindu name is Yash, my sister’s name is Chandni, we were filmy YRF lovers. Somewhere, I did this for her,” he explained.
Released earlier this year, Saiyaara has become a record-breaking success. The romantic drama is now the highest-grossing film headlined by newcomers and the biggest love story in Indian cinema history.
The film has grossed an estimated £53 million (₹563 crore) worldwide, making it the second-highest-grossing Indian film of 2025 so far. Its success has firmly established Ahaan as one of Bollywood’s most promising new actors.
Though the actor has not announced his next project yet, industry watchers believe Ahaan’s grand debut has positioned him strongly for future big-ticket films. With Saiyaara breaking records and his candid reflections on the struggles behind the glamour, Ahaan has become a name audiences are eager to follow.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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