BRITISH-ASIAN MEN of Pakistani origin are not disproportionately represented among those found guilty of child sexual offences, two academics have said.
Arguing that the “overwhelming focus on Asian men abusing white girls” risks ignoring other victims and overlooking other offenders, the experts said that child sexual abuse offenders are “remarkably heterogenous” as they urged an evidence-based approach to tackling the crime.
Ella Cockbain, who has researched child sexual exploitation (CSE), is an associate professor at University College London in the security and crime science department.
Waqas Tufail, a senior lecturer in criminology at Leeds Beckett University, focuses on policing, racialisation and criminalisation of marginalised and minority communities.
They noted that Asians were notably “not over-represented” among the approximately 172,000 men and 27,000 women who had been convicted of sexual offences in England and Wales in 2016.
Earlier this month, the duo published a paper titled Failing Victims, Fuelling Hate: Challenging the harms of the ‘Muslim grooming gangs’ narrative. Cockbain and Tufail said the term “grooming gangs” was a “spurious media construct”, adding that “grooming” gang offences do not exist in law.
Instead, they suggested using child sexual abuse definitions as recommended by the National Crime Agency.
Their findings came as the Home Office said it has “prioritised child sexual abuse as a national threat”. It is set to publish a national strategy, the first of its kind, to tackle all forms of child sexual abuse.
A report commissioned by Greater Manchester mayor Andy Burnham found last week there was “clear evidence that young people were being sexually exploited, and that this was generally perpetrated by a group of older Asian men”.
However, a review found that Operation Augusta – launched by the Greater Manchester Police – was shut down following a lack of resources, when it should have exhausted all lines of enquiry, especially where there was evidence that could have led to a prosecution.
Cockbain and Tufail said that racial connotations around the term “groomer” and the prevailing “narrow lens on grooming gangs” detracts from the scale of abuse of vulnerable children who had been let down by those agencies meant to protect them, and seeks justice for such groups.
Both experts have also called for a rejection of “culturalist, essentialist explanations of why Muslim men sexually abuse children”, noting that “a relatively small number of high-profile grooming gangs cases have been used to claim an ‘epidemic’ of abuse”.
Offences by ethnic minorities also tend to be over-reported, they said, noting that the Sunday Times was found in breach of reporting codes for its misleading headline ‘Asians make up 80 per cent of child groomers’.
Tufail told Eastern Eye: “The racial narrative on CSE has been challenged by survivors of CSE, activists and some practitioners, but much more can be done.
“In particular, politicians and prominent media commentators need to take much more responsibility when discussing race and CSE. I hope there is serious engagement with the evidence presented in our article.”
In July 2018, then home secretary Sajid Javid ordered a review of the “characteristics” looking at cultural factors that may have led to gangs of mainly Pakistani-heritage men sexually abusing young children. Javid said in December 2018: “When it comes to gang-based child exploitation, it is self-evident to anyone who cares to look that if you look at all the recent high-profile cases there is a high proportion of men that are of Pakistani heritage,” he had said.
Cockbain and Tufail noted that “Javid’s interest in racialising sexual offending has not extended to organised abuse in schools, religious institutions, sports clubs, politics, celebrity circles and other contexts likely dominated by white offenders”.
A Home Office spokesperson told Eastern Eye on Monday (20): “Child sexual abuse is a sickening crime and predators who abuse children will face the full force of the law. We’re pursuing work on a number of fronts to understand the characteristics of group-based offending and the contexts in which it occurs.
“This includes ongoing work commissioned by the previous home secretary and will inform future government policies on child sexual abuse.
“New sentencing laws will also ensure the most serious violent and sexual offenders spend time in prison that matches the severity of their crimes, protecting victims and giving the public confidence in the criminal justice system.”
In their paper, Cockbain and Tufail noted that women of colour, immigrants and those from the LGBTQ community are “often further brutalised – rather than protected – by the police”.
Lack of funding has also hit grassroots organisations who do “largely unacknowledged” work in tackling violence against women and girls, they noted.
Funding for rape crisis services across England and Wales was £7.2 million in 2018-2019, they added, pointing out that specialist CSE services for BAME victims are “particularly underfunded”.
Child sexual abuse is an problem across British society, they concluded, and is not the “preserve of particular communities”.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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