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Is Aaron Taylor-Johnson the new 007? Pierce Brosnan backs him as a ‘great’ James Bond

The former 007 reflects on Taylor-Johnson’s talent and recalls working with him on a past film.

Is Aaron Taylor-Johnson the new 007? Pierce Brosnan backs him as a ‘great’ James Bond

Aaron Taylor-Johnson earned early praise from Brosnan after their work together in The Greatest

Getty Images

Pierce Brosnan isn’t one for loud endorsements, but when it comes to Aaron Taylor-Johnson stepping into the shoes of James Bond, he’s quietly confident. The former 007,known for his sharp suits and steady hand in four Bond films between 1995 and 2002, believes Taylor-Johnson could handle the legacy.

“He’d be great,” Brosnan said reflecting on a time they worked together over a decade ago. The film was The Greatest, a family drama where Taylor-Johnson starred alongside Brosnan, Susan Sarandon, and Carey Mulligan. Even back then, the young actor stood out to him. “He walked onto that set and brought this intense energy with him,” Brosnan recalled. “He owned the space.”


aaron taylor johnsonFrom tuxedos to high-speed chases, Brosnan’s Bond era was pure cinematic cool Getty Images



Now 34, Taylor-Johnson has emerged as one of the top contenders in ongoing discussions about who will take over as Bond. While nothing’s confirmed, he’s been a favourite in speculative circles and Brosnan’s nod only adds weight to the possibility.

Behind the scenes, the Bond franchise is in new hands. Amazon MGM Studios now co-owns the rights, working closely with longtime producers Barbara Broccoli and Michael G. Wilson. As the next chapter of the spy saga begins to take shape, Brosnan has wished the team well and stayed mostly hands-off.

Aaron Taylor-Johnson, a fan-favourite contender for 007, previously starred with Brosnan in The GreatestGetty Images


In the meantime, Brosnan has shifted gears himself. He stars in MobLand, a Paramount+ series set in London’s criminal underworld, with Helen Mirren and Tom Hardy playing central roles. As the ruthless family head Conrad Harrigan, Brosnan shares the screen with Hardy, someone he already knew through his son Sean. “Tom’s a powerful presence,” Brosnan said. “He reminds me of Sean—intense, kind, focused.”

Though they didn’t talk much during filming: “maybe two hours across five months,” Brosnan joked but the mutual respect is clear. Hardy returned the compliment, calling Brosnan “gracious, grounded, and completely professional.”

Brosnan in action as 007, bringing elegance and edge to the iconic roleGetty Images


Whether Taylor-Johnson gets to say, “Bond, James Bond,” remains to be seen. But if the man who’s been there and done it thinks he’s ready, it’s probably time to pay attention.

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Maybe Happy Ending Creates Broadway Milestone with Six Tony Wins

The cast of Maybe Happy Ending celebrates their big night at the Tony Awards

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‘Maybe Happy Ending’ wins six Tony Awards as Korean musical makes Broadway history

South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.


From Seoul to Broadway: A story born in two languages

Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.

Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.


While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.


A cultural shift, decades in the making

With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.

The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.


As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.

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