Aamir Khan admits to nerves before son Junaid’s debut
Maharaj, premiered on Netflix on June 21, stars Junaid as the real-life 19th-century social reformer Karsandas Mulji.
By Eastern EyeAug 01, 2024
BOLLYWOOD superstar Aamir Khan on Wednesday (31) admitted he was "stressed" ahead of the release of his son Junaid Khan's debut film, Maharaj, worrying about how the audience would receive his work.
Maharaj, which premiered on Netflix on June 21, stars Junaid as the real-life 19th-century social reformer Karsandas Mulji. The film, directed by Siddharth P Malhotra and produced by Aditya Chopra, marks Junaid's first major role in the industry.
Aamir was speaking at the launch of the single Kooriye, sung by debutant Raj Pandit, who is the son of producer Ashoke Pandit.
"When Junaid’s Maharaj released, I was very stressed thinking if people would like his work or not. I think that is what you (Ashoke Pandit) are probably feeling right now as Raj is taking his first steps. Just a couple of months back, I was in that situation.
"I am here to support you and your son. It is an emotion that I immediately connect to. We are always worried about whether they (our children) will be accepted," the superstar told reporters here.
Maharaj, based on an 1862 libel case involving Mulji and a Vaishnavite religious leader, briefly ran into legal trouble with the members of the sect filing a petition in the Gujarat high court against the film.
The premiere was earlier scheduled to arrive on the streamer on June 14, but was delayed by a week. Later, the high court cleared its release after a brief stay, observing that it did not target any religion.
Aamir said he is proud of Junaid for charting his own path without his help.
"I am happy that Junaid has really worked hard for himself. He has never accepted any help from me in any way ever. I am happy and proud that he has made it on his own terms, in his own way. I can see that Raj is doing the same thing. It is time to take your first step and you have and it is wonderful," he added.
The superstar, who will next be seen in Sitaare Zameen Par, said he started taking singing lessons last year.
"You will be happy to know that I've started learning to sing. I have got a guru, Sucheta ji is my guru and I've been training since last one year. I enjoy singing. It's like meditation," said Aamir, who sang songs such as Aati Kya Khandala (Ghulam) and Dekho 2000 Zamana Aa Gaya (Mela).
The music video of Kooriye features Raj Pandit and Zoya Afroz. The song is produced by Salim Merchant, Sulaiman Merchant and Ashoke Pandit. (PTI)
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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