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And it's a wrap for Sanjay Dutt's Saheb Biwi Aur Gangster 3

Shooting for the third instalment of the hit film series Saheb Biwi Aur Gangster has been wrapped up. Titled Saheb Biwi Aur Gangster 3, the film went on floors in the month of September last year and today the team finished shooting the final schedule of the film.

The previous two instalments of the series were made on a small scale, but since the third part starred superstar Sanjay Dutt in the main lead, the makers increased the budget to make the film look grand.


In spite of being unwell, Sanjay Dutt reached the location on time to shoot for his final scene in the movie, which is being helmed by actor-director Tigmanshu Dhulia.

“The next morning, I was apprehensive that we would have to cancel the shoot. We were filming Sanjay’s combination sequences with Chitrangda (Singh) and Mahi (Gill) on this really grand set at Filmistan Studio and I was sure we would incur some losses, but Dutt didn’t take the day off. It was really commendable of him,” says producer, Rahul Mittra.

Besides Sanjay Dutt, Saheb Biwi Aur Gangster 3 also stars Nafisa Ali and Kabir Bedi, Chitrangda Singh, Mahi Gill, Jimmy Shergill and Soha Ali Khan.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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