Indian cricketer Virat Kohli and actor Anushka Sharma, popularly known as Virushka, are among the most loved celebrity couples. As soon the duo steps outside in the city, their pictures and videos go viral in no time.
Recently, Virat and Anushka were spotted enjoying a coffee date in London and several pictures and videos of the duo are now surfacing on social media.
The Phillauri actress is seen donning a white t-shirt paired with a beige-hued jacket. She completed her look with chic accessories and black sunglasses.
Virat, on the other hand, wore a t-shirt and styled it with a denim jacket. He completed his look with his nerdy glasses.
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Virat is currently gearing up for the ICC World Test Championship final against Australia.
The final between Australia and India is set to take place between June 7 and 11, with June 12 earmarked as the reserve day.
In Test Cricket, Virat Kohli has scored 8416 runs in 183 innings. His highest score 254 was against South Africa in 2019. He has scored 28 centuries and 28 half-centuries in Test format. His batting average is 48.93.
Kohli started off the year 2023 with an ODI century against Sri Lanka. He continued his brilliant performances in big events, being the second-highest run-scorer, and highest-run scorer for India in the Border-Gavaskar Trophy against Australia. In four matches, he scored 297 runs at an average of 49.50, with best score of 186.
Virat had a great IPL 2023 season, in 14 matches of IPL 2023, he has scored 639 runs at an average of 53.25 and a strike rate above 139. He has scored two centuries and six fifties this season, with best score of 101*. He is the third-highest run-scorer in the league so far.
Talking about Anushka, she will be next seen in the upcoming sports biopic film Chakda Xpress which is based on the life of former Indian cricketer Jhulan Goswami and will stream exclusively on Netflix. The final release date of the film is still awaited.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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