Vikrant Massey has proved his versatility with his performances in movies like Lootera, A Death in The Gunj, Dil Dhadakne Do, Chhapaak, Ginny Weds Sunny, and recently released Haseen Dillruba. But, the actor says that sometimes it’s traumatic to portray certain intense characters.
While talking to PTI, Vikrant said, "There is a common perception that actors have an identity crisis and it does happen, I don't deny that... There are so many characters that suck you so deep, you carry a lot of trauma when they are intense or in tricky space. It is bound to happen. Actors are very vulnerable."
"I am brought to myself by the people who are closest to me. Hence, it is essential to have a strong support system in form of your family and friends, who accept you for who you are and not for what you do professionally," he added.
Vikrant recollects how difficult it was for him to “switch off” from the character of Shutu from A Death in The Gunj. He said, "My parents were worried because my emotional and mental health had gone for a toss."
His character in Chhapaak also left an impact on him and that’s why he decided to take up a romantic comedy like Ginny Weds Sunny. The actor said, "It was a very conscious decision. I didn't want to do something intense and that there is some fun while working on it."
In recently released Haseen Dillruba, Vikrant played a complex character but his next is once again a romantic-comedy titled 14 Phere. He said, "I wanted to do it (14 Phere), not because I want to take a break from all this intensity but also to dabble into different genres and showcase whatever I can do as an actor."
The actor also feels that it’s time for Indian actors to pull up their socks. He said, "The new generation has access to the best of world cinema and it is about time that we pull up our socks and present quality as honestly as we can. The output is the same from my end for all the mediums; I play the character with utmost sincerity. I want to dish out quality, excellence. I don't want to offer anything substandard or be complacent.”
14 Phere is slated to release on 23rd July 2021. Apart from this rom-com, Massey will be seen in movies like Love Hostel, Mumbaikar, and the Hindi remake of the Malayalam film Forensic.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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