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Vighnaharta song from Antim: A treat for Salman Khan’s fans

Vighnaharta song from Antim: A treat for Salman Khan’s fans

After Radhe: Your Most Wanted Bhai, Salman Khan will next be seen in Mahesh Manjrekar’s Antim: The Final Truth. A couple of days ago, Salman had unveiled the first look poster of the movie, and today, the actor released the first song of the movie titled Vighnaharta.

Salman took to Twitter to share the song with his fans. He tweeted, “#ANTIM ki shuruaat BAPPA ke Aashirwad ke saath. #Vighnaharta Song Out Now https://bit.ly/Vighnaharta_ #AayushSharma @Varun_dvn @manjrekarmahesh @SKFilmsOfficial @ZeeMusicCompany #HiteshModak @vaibhavjoshee @mudassarkhan1 @AjayAtulOnline @chinni_prakash.”


Vighnaharta is composed by Hitesh Modak and sung by Ajay Gogavale. It has been launched at the perfect timing as on Friday (10) it is Ganesh Chaturthi.

The song features Salman Khan, Varun Dhawan, and Aayush Sharma. But, it is Salman who steals the show. The actor’s Sikh cop avatar is surely one of the highlights of the song. We get to see him without a shirt and doing some action, so this song is clearly a treat for his fans.

Antim: The Final Truth is a remake of the Marathi film Mulshi Pattern. The release date of the film is not yet announced, but reportedly, the makers are planning to release the movie in October 2021.

The film will mark the Bollywood debut of actress Mahima Makwana. She is a popular face in the Indian television industry.

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  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
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  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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