Vaibhav Tatwawadi on versatility, inspirations, and leading his dream journey in cinema
From powerful supporting roles in Bajirao Mastani, Manikarnika and A Wedding Story, Vaibhav continues to push boundaries.
Vaibhav Tatwawadi
By Asjad NazirNov 21, 2024
VAIBHAV TATWAWADI has become a prominent name in Marathi and Hindi cinema with his versatile performances in films and drama serials.
From powerful supporting roles in Bollywood hits like Bajirao Mastani, Manikarnika: The Queen of Jhansi, and Article 370, to playing the lead in the 2024 supernatural horror A Wedding Story, Vaibhav continues to push boundaries. His recent turn in the action thriller series Commando further highlights his range.
In a chat with Eastern Eye, the actor reflects on his journey, inspirations, and aspirations.
What first connected you to acting?
I’ve always been drawn to performing. I participated in colony festivals as a child and began doing theatre in Nagpur from the second standard. Deep down, I’ve always been connected to this art form.
How do you reflect on your acting journey?
I feel blessed that I’ve been able to turn my passion into my profession. It’s been an incredible journey, and I consider myself fortunate to have worked with some stalwarts of Indian cinema.
Which role is closest to your heart?
There have been many, but I think Yas Chauhan from Article 370 holds a special place for me.
Which character challenged you the most?
Playing Chimaji Appa in Bajirao Mastani was particularly challenging.
What was the experience of working on Commando like?
Working on Commando was a fantastic experience. It’s an action thriller, and I had a wonderful time collaborating with the entire cast and creative team. Working with Vipul Amrutlal Shah (producer) was a pleasure, and the project was truly memorable.
What was it like playing the lead role in A Wedding Story?
It was my first Hindi film as a lead, and the experience was amazing. The entire team felt like one big happy family. I also had the opportunity to work with talented actors like Mukti Mohan, which made the experience even more rewarding. I’m glad people appreciated my performance.
A still from A Wedding Story
You’ve worked in diverse genres, but which is your favourite?
It’s been motivating to explore different genres, but if I had to choose, drama is my favourite. It allows me to tap into deep emotions and explore complex characters.
Do you have a dream role?
I don’t have a specific dream role. I’m living my dream by being in this profession. My hope is to perform roles that eventually become dream roles for others.
Who would you love to work with?
There are so many wonderful directors and actors I admire. Rajkumar Hirani is definitely on my list. It would be incredible to collaborate with such creative minds and create magic onscreen.
What are your big passions away from work?
Dancing is a passion of mine aside from acting.
What inspires you as an actor?
Apart from the love and appreciation we receive, what inspires me the most is the chance to portray diverse characters and live different lives through them. Acting helps me mature and grow as a person by embracing new emotions and addressing vulnerabilities. That, to me, is the most rewarding aspect of being an actor.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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