Skip to content
Search

Latest Stories

Up to directors to decide what kind of films they want to make: Javed Akhtar

Speaking about his work, Akhtar said when he wrote movie scripts he never thought of their financial or social impact.

Up to directors to decide what kind of films they want to make: Javed Akhtar

Veteran lyricist and screenwriter Javed Akhtar on Wednesday said Indian cinema has undergone a lot of changes over the years and it was up to directors to decide what kind of movies they want to make for people.

He said heroes of earlier eras were very different and a similar portrayal of their characters in today's movies may not work.


The 78-year-old lyricist-poet was speaking after receiving the Padmapani Lifetime Achievement Award for his contributions to Indian cinema. The award was presented to him at the inauguration of the 9th Ajanta-Ellora International Film Festival (AIFF) in Chhatrapati Sambhajinagar in central Maharashtra.

Akhtar said, "We have advanced a lot in making cinemas. However, while boarding the train of future, we have left behind lots of goods on the platform. Language, literature, and classical music have been left behind. But Maharashtra is a state where these values still matter for people who reside in smaller cities."

Speaking about his work, Akhtar said when he wrote movie scripts he never thought of their financial or social impact.

On the changing perception of on-screen heroes, he remarked, "There was a period when the hero of a film revolted against his parents to marry the girl of his choice. Later, heroes came to show social inequality, law, courts, and unconstitutional things. However, today we cannot make such characters stand in movies."

Ultimately, directors should decide what kind of cinema they want to make so that films are well received by viewers and they also strengthen the movie industry, Akhtar said.

More For You

Sudha Kongara on ‘Parasakthi’ and online backlash: ‘There is slandering and defamation of the worst kind’

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice

X/ jishnu___offl

Sudha Kongara on ‘Parasakthi’ and online backlash: ‘There is slandering and defamation of the worst kind’

Highlights

  • Sudha Kongara on the turbulence around Parasakthi, from certification demands to online attacks
  • Why the film frames the 1965 anti-Hindi agitation through one man’s choices
  • Balancing politics, melodrama and cinema
  • How music, casting and tone were shaped by craft, not compromise

A film surrounded by noise

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice. With Parasakthi, that voice has had to compete with chaos. Long before release, the film was caught in disputes over its title, shifting cast announcements, ED searches, plagiarism claims and, finally, a list of changes demanded by the Central Board of Film Certification.

In all that, the film itself risked becoming secondary. Parasakthi, starring Sivakarthikeyan, Ravi Mohan, Atharvaa and Sreeleela in her Tamil debut, retells the 1965 anti-Hindi imposition agitation in Tamil Nadu. The core of the film unfolds over just 19 days , from January 24–25 to February 12, 1965.

Keep ReadingShow less