Tusshar Kapoor on casting Akshay Kumar in Laxmii: We always wanted a star who has a very strong image with the masses as well as the classes | EasternEye
Tusshar Kapoor is gearing up for the digital release of his first production venture Laxmii which stars Akshay Kumar and Kiara Advani in the lead roles. A couple of weeks ago, the makers had released the trailer of the film and then later launched the songs Burj Khalifa and Bambholle.
Recently, we interacted with Tusshar and asked him if Akshay Kumar was the first choice for the movie. To which the actor-turned-producer said, “Yes, he was always the first choice after I saw the original film. Me and my partner, we were discussing the cast, and we always wanted a star who has a very strong image with the masses as well as the classes, and somebody who will bring a lot of surprises and a lot of novelty to this very unique character because he is seen very differently.”
“So, he goes and does something so drastically different that is where people will enjoy the fact that there’s a huge change that has happened in this movie in regards to the actor’s image. There’s something fresh which is very much in the new light as far as the actor’s previous films are concerned. And that shock, that surprise, that novelty, I thought would be the USP of the film," he added.
Laxmii was earlier tiled Laxmmi Bomb, but a few days ago, the makers changed the title of the film. The movie was facing a backlash on social media because people felt that the title was hurting their religious sentiments.
When we asked Tusshar if the reason behind changing the title is the backlash on social media, he said, “I haven’t really focused on the backlash because people were only praising the trailer and the song. So, I didn’t really get to know about the backlash, and even if there is, I usually keep that away from my life because everything and anything, we have a good and bad side to it nowadays, because there are so many opinions. So, I didn’t really focus on that, but all the officials in the censor board had a very healthy conversation with us and all of us together took a call to title it Laxmii, to put to rest any controversy, if there is any. But this was a conscious decision.”
Directed by Raghava Lawrence, Laxmii is slated to start streaming on Disney+ Hotstar on 9th November 2020.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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