Bollywood star Tusshar Kapoor has been part of many Hindi films but the one which changed his life completely has to be Rohit Shetty’s multi-starrer Golmaal. The actor plays the character of Lucky in the comic-caper, a guy who cannot speak but communicates his feelings in a strange way, creating a lot of humour for the audience. After appearing in three moneymaking instalments of the series, the actor returns back to tickle the funny bones of the audience once again in the latest part of the series, titled Golmaal Again. In an exclusive interview with Eastern Eye in Mumbai, Tusshar talks about the film in detail. He also gets candid about his son, Laksshya and much more.
You have been a constant part of the Golmaal film franchise. Is it easy to slip back into the character of Lucky whenever a new film of the series comes your way?
It’s partly easy because once you come back and meet everyone again, the chemistry does come back. The director (Rohit Shetty) has a lot of people who are familiar, so the atmosphere is pretty similar. A lot of things subconsciously come back but every time we do Golmaal, Rohit always has something new for us actors as a challenge. It’s also hard due to the fact that you are outside your comfort zone in a certain way because there is something new to do, something to better the previous three performances but at the same time the guys are the same, the director is the same and a lot of the technicians are similar. The flavour and the culture of Golmaal are same so that brings a lot of familiarity. So it’s a mix of both.
What brings you back to Golmaal Again?
The main factor is the love of the audience. They have really made it successful at the box office. This factor just builds up the excitement level for us actors as well, so we are also waiting, in fact, when is Rohit going to come in and say that he has a new script. That is the main reason that brings us back and that is why it’s so successful.
How excited were you to hear about the next franchise?
There is that homely feeling where you are working with the same people again. You don’t have to start getting along with somebody all over again. That fun element is always there, it’s like a paid vacation because you are working with friends and you are going to these exotic places to work with friends. A movie like Golmaal always gets a good release. I have been fortunate enough to be nominated for Golmaal and the honour to be a part of it so many times. That has made this journey a bit emotional for me, the fact that I got such appreciation for this character has not been there with any of the other films.
How was it balancing shoot and home, especially with Laksshya?
I was a little nervous at first, I thought maybe I would wake at 6:00 am every morning, spend almost an hour with Laksshya, then get ready after which again spend some time with him and then go to gym then shoot but I just took it as it came. I woke at my time, spend some time with Laksshya then go to gym and later at work. After that I have him come to the shoot, he could be with me when there was something like lighting change. At Hyderabad, I decided to take him with me, spend time with him whenever possible. Fortunately, it worked out. Where there’s a will there’s a way.
Do you know anything about the reports about Rohit Shetty proceeding with Golmaal 5?
I hope that’s true. He has told us that there is going to be Golmaal 5 but I don’t know the details yet. I think he has a script in mind but he has not shared that with anyone yet. Though I don’t think it is going to be immediately processed, there is definitely going to be a sequel.
Was it your idea that this time your character would speak?
No, it was entirely Rohit’s idea. It goes with the story, the incident leading up to it would unfold when you see the film. The writers Sajid and Farhad, I would like to give them the credit for the highlights and sequence in the film that goes with the story also, where people would find that Lucky starts talking in whatever way.
Just like Saif and Kareena, are you planning to send your child to boarding school too?
No to the boarding school though I would send him abroad later, probably after 12th standard like I went. At best after 8th standard but not right now. I want to be close to him. There is no difference between those who went to boarding school early rather than later. I have friends who went to boarding school and they have similar problems like I had. It’s not like they became tougher.
You have been a part of the Golmaal franchise since the beginning. Does it add to the pressure every time with the release?
The benefit of being a part of Golmaal is that it’s a big franchise. It’s a highly awaited film, even the trailers are seen by everyone. Every theatre wants to acquire the film and not just in the big cities but even in the small towns. Though you still keep your fingers crossed all the time because people have to like your work and the movie in its entirety. We want the film to go beyond the audience’s expectation, that’s very important. There is nervousness though the excitement is more.
Do you think Golmaal Again clashing with Aamir Khan’s Secret Superstar would result in harming both the films?
I think each of the films will attract very different audiences. It’s a case where a person if wants to watch GolmaalAgain will watch Golmaal Again and if they want to watch Secret Superstar they would watch Secret Superstar. One is a big film and another is a small one, there is place in Bollywood to carry a big film and a small film together. People might see one or the other or see both of them. Therefore, I think that is not going to be a negative thing, it’s a positive thing that we are coming up with a balance for one big commercial film and one small niche festive film.
Do you think the pressure of box office is less because of the successful franchise?
Not at all because there are franchises that have not worked even though they have been so successful in the past. A title does not have so much power, the title brings awareness and a ready market for Golmaal but the film should be such that even without the title it would flourish. The franchise is an icing on the cake but the film should survive on its own.
How was it working with Parineeti Chopra?
She is a very extroverted kind of person, therefore, it did not take much time for her to connect with everyone, her energy is always there. There is no stress regarding her being a new member of the cast, she is a people’s person and there was instant connectivity, and Tabu I know as a friend so again it was like a homecoming for me.
What do you take back from Golmaal?
Besides my paycheck, new friends and a lot of learning! It has been a long shoot so it’s been an exercise in patience because you have tried to make everything as perfect as possible. I think I have grown up more making this film. It has been a learning experience and this is the first film where my son also visited.
Early reviews praise the series as an entertaining and spoofy take on the film industry.
The show features a host of major celebrity cameos, including Shah Rukh Khan and Salman Khan.
A subtle dig at the Wankhede case has become an immediate talking point for fans.
The series is now streaming globally on Netflix.
Aryan Khan has officially arrived as a director, and the buzz is impossible to ignore. His new Netflix series, The Ba**ds of Bollywood*, premiered to a star-studded audience in Mumbai before its global launch and the first reactions are flooding in. The project, a self-aware show, offers a cheeky look behind the curtain of the Hindi film industry. This bold directorial debut is already being called a game-changer for the star kid, presenting his unique vision and creative chops.
From scandal to satire Aryan Khan’s The Ba**ds of Bollywood* takes Bollywood by surprise Instagram/redchilliesent
What is The Ba**ds of Bollywood actually about?
Forget a straight-laced drama because this is a satirical romp. The narrative centres on a group of outsiders and their frenzied attempts to carve a space for themselves in the cutthroat world of Bollywood. It’s packed with meta-humour, insider jokes and a tone that doesn’t take itself too seriously. The series uses its seven-episode run to explore the absurdities and sacrifices behind the glamour, all while delivering plenty of drama and unexpected twists to keep viewers hooked.
How have critics and celebrities reacted to the show?
The initial reviews are overwhelmingly positive, tipping the scales away from mere nepotism chatter. Filmmaker Rahul Dholakia took to X, writing, “Not Star but ***’s are born!! What an entertaining and spoofy, goofy first episode... Bhai Binge Karna padega!!!” He congratulated the entire team, mentioning the years of hard work that went into the project.
— (@)
Producer Sunita Gowariker called it an “amazing, entertaining, funny series,” while Farah Khan applauded Aryan as the “kindest, sweetest, talented n most hardworking director.” The consensus is clear: Aryan Khan hasn’t just entered the arena but has made a strong statement.
— (@)
Did Aryan Khan take a dig at the Wankhede case?
It appears so, and fans have latched on to it. The reference is a bold move, given Aryan’s own arrest in October 2021 by the Narcotics Control Bureau (NCB) in a high-profile cruise ship drug case. The investigation, led by then zonal director Sameer Wankhede, saw Aryan spend weeks in jail before being granted bail. The NCB eventually cleared him of all charges due to a “lack of evidence.” In the show, a scene features a stern-looking cop frustrated by drug abuse in the industry.
Drugs-On-Cruise Case: Shah Rukh Khan heaves a sigh of relief as son Aryan Khan gets clean chit by NCB AFP via Getty Images
Viewers were quick to connect this to Wankhede. Social media exploded with comments, one user noting, “Bhai sahab... #aryankhan took a zabardast dig... Very gutsy.” This bold, unsubtle reference has become one of the most discussed elements of the show.
— (@)
Where can you watch The Ba**ds of Bollywood ?
The entire series is available to stream right now on Netflix. The global release means subscribers everywhere can dive into the chaos. With a reported budget running into millions of pounds, the production values are as glossy as you’d expect from a Red Chillies Entertainment production. So, if your schedule allows, clear it. As one fan aptly posted, they were officially on a “binge-watching break” for this one. It’s time to see what all the fuss is about.
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Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement
Spain leads a growing boycott movement, with Ireland, the Netherlands and Slovenia also refusing to participate if Israel competes.
The European Broadcasting Union (EBU) is in crisis talks, extending its decision deadline to December 2025.
The situation draws direct comparisons to Russia’s exclusion in 2022, creating a precedent the EBU must now navigate.
The core dilemma pits Eurovision’s non-political ideals against the stark reality of a humanitarian crisis.
The Eurovision Song Contest, that glitter-drenched annual spectacle of pop and unity, is staring into the abyss. The escalating call for a Eurovision boycott over Israel's participation, against the backdrop of the ongoing Gaza conflict, has put the organisers into their most severe political crisis yet. This isn't just about another song entry but a fundamental clash between the contest's cherished apolitical fantasy and the inescapable geopolitics of the real world, threatening to tear the competition apart from within.
Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement Instagram/eurovision
What is causing the Eurovision 2025–2026 crisis?
The main trigger is Israel’s ongoing military campaign in Gaza. Casualty figures reported by the Hamas-run Gaza Health Ministry exceed 64,000 Palestinians by September 2025, drawing international scrutiny. Several European countries argue that Israel’s presence in a major cultural event like Eurovision would appear to normalise the humanitarian crisis. On the other hand, Israel insists participation is purely cultural and unrelated to politics.
What countries are boycotting Eurovision over Israel?
So, which nations are taking this stance? The movement gained its most significant momentum with Spain's announcement. Its public broadcaster, RTVE, issued a decisive statement, confirming an overwhelming vote to withdraw. The organisation cited Israel's military actions in Gaza and stated it could not, in good conscience, "look the other way." This move is particularly consequential as Spain is one of the "Big Five" major financial contributors to the contest.
They were swiftly followed by Ireland’s RTÉ, which deemed participation "unconscionable" given the situation in Gaza. Public broadcasters in the Netherlands and Slovenia subsequently aligned with similar positions. Iceland's broadcaster has also indicated it is considering its position, formally "reserving the right" to withdraw. This is not a peripheral protest but a movement emerging from within the contest's core European membership, raising questions about which other countries may follow.
How is the EBU handling the Eurovision boycott calls?
The European Broadcasting Union faces an immense challenge. Its standard operating procedure of promoting unity through music appears insufficient for this geopolitical dilemma. The gravity of the situation can be seen in its unprecedented decision to delay the standard deadline for participation confirmations to mid-December 2025. This extension is dedicated to extensive consultation with all member unions in an effort to find a viable resolution that preserves the contest's integrity.
Concurrently, the EBU has been forced to publicly deny reports from Israeli media outlets suggesting it had advised Israel to withdraw voluntarily to avoid a "humiliating elimination," calling these claims false.
Is this Eurovision situation similar to Russia's exclusion?
This comparison forms the crux of the debate for many. The 2022 exclusion of Russia following its invasion of Ukraine established a clear precedent; the EBU justified its decision by stating Russia's participation would "bring the competition into disrepute."
Boycott advocates now argue that the same standard must be applied consistently, questioning why Israel's actions in Gaza do not merit an identical response. The EBU will likely attempt to differentiate the cases based on nuanced legalities of membership and the operational independence of the respective national broadcasters. However, in the court of public and political opinion, the perception of a double standard is a significant threat to the EBU's credibility.
What are the arguments for and against the boycott?
Proponents of the boycott base their position on principles of human rights and conscience. They stress the extensive civilian casualty figures reported by authorities in Gaza, alongside assessments from UN agencies, to argue that Israel’s inclusion on a cultural platform constitutes a form of normalisation of the ongoing conflict.
Conversely, opponents of a boycott contend that cultural events must remain separate from political disputes. They caution that excluding a nation’s artists could veer into prejudice and stress that the Israeli broadcaster, Kan, operates with editorial independence, unlike the state-controlled media of Russia. There is no clear, unambiguous resolution that will satisfy all parties.
What happens if Israel is allowed to compete in Eurovision 2026?
Should the EBU permit Israel's participation, an immediate and consequential withdrawal of several key members is all but certain. The loss of Spain, a major funder, would represent a serious financial and credibility blow. The subsequent absence of Ireland, the Netherlands, Slovenia, and potentially others would noticeably diminish the contest's scale and diversity.
Furthermore, the event itself would likely become a focal point for large-scale protests, potentially disrupting the broadcast and overshadowing the musical competition, further alienating segments of its global audience.
What happens if Israel is excluded from Eurovision?
An exclusion would trigger a different but equally severe crisis for the EBU. It would face vehement accusations of hypocrisy and double standards, particularly from Israel and its allies. The move could prompt legal challenges and potentially lead to Israel's permanent withdrawal from the union.
It would also establish a new and far-reaching precedent for excluding countries involved in international conflicts, fundamentally transforming Eurovision from an inclusive cultural space into an institution that makes overt political judgements.
The future is decidedly uncertain. The EBU is confronted with a dilemma where any decision carries significant negative consequences. The upcoming General Assembly in December is going to be a tense and potentially historic meeting. While some have speculated about a compromise, such as Israel participating under a neutral banner, the EBU has denied pursuing this option.
The underlying truth is that Eurovision has always been intertwined with politics, from historical participation under authoritarian regimes to contemporary voting blocs. The current crisis has simply stripped away the glittering façade, forcing a direct confrontation with this reality. The contest's future will depend on navigating a path that may not exist, balancing its ideals against an increasingly polarised world.
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Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy
Malayalam star Unni Mukundan announced as lead in Narendra Modi biopic titled Maa Vande.
The film will focus on the Prime Minister's early life and bond with his mother.
A pan-India release is planned for 2026 with a major technical crew attached.
Mukundan is currently riding high on the success of his brutal action film Marco.
Malayalam cinema actor Unni Mukundan is stepping into the biggest role of his career. He has been officially cast as Prime Minister Narendra Modi in the upcoming biographical film Maa Vande. The project, announced on the PM's 75th birthday, promises a fresh look at Modi's formative years. Instead of another political portrait, the filmmakers are zeroing in on his personal journey and the profound influence of his mother.
Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy Instagram/iamunnimukundan
Who is Unni Mukundan and why was he cast?
If you're not deep into Malayalam films, that name might not ring a bell. But down south, he is a proper lead star. He has been working for over a decade, starting off with smaller roles, having a hit with Mallu Singh, and then breaking through with last year’s Malikappuram.
And then Marco happened, a violent film that crossed the £1.2 million (₹100 crore) mark. The actor can portray devotion and then deliver a brutal action scene. Perhaps that versatility is what the filmmakers wanted. Adding to that, he actually grew up in Ahmedabad. He mentioned in a post that he knew Modi as his "Chief Minister" back then. That personal connection is probably a massive factor.
What will the Narendra Modi biopic Maa Vande be about?
The official line is that it traces his journey from childhood to becoming the leader of the nation. But the tagline gives the real focus: "The Anthem of a Mother." So, this is not going to be a policy-by-policy rundown. It is about his relationship with his late mother, Heeraben Modi.
That is the fresh angle, the human story behind the politician. How that relationship shaped him is the emotional hook. It connects with people on a different level. The filmmakers are planning a 2026 release, and it is set to be pan-India, in multiple languages including English.
The crew list is stacked. It is being directed by Kranthi Kumar C.H. and produced by Veer Reddy M. under Silver Cast Creations. The technical team is impressive: KK Senthil Kumar is on camera, the cinematographer of Baahubali. The music is by Ravi Basrur, editing by Sreekar Prasad, and production design by Sabu Cyril. It is clear that this is not a low-effort cash-in. The A-team from Telugu and Malayalam industries has been brought together to mount this project properly. Serious resources are being invested to ensure it looks and sounds huge.
No. Vivek Oberoi played him in a 2019 film directed by Omung Kumar, which was also called PM Narendra Modi. That film focused more on his political rise. Maa Vande seems to be carving its own niche by going back to the start, focusing on his personal roots. It will be interesting to see how they differentiate it. For Mukundan, it is a massive opportunity. After the physicality of Marco, this role is about capturing Modi’s essence, voice, and posture. It is the biggest challenge of his life, no question.
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Malaika Arora reveals judgement made her stronger and shaped her boldness
The star revealed she was constantly judged for her career and clothing choices.
Malaika said she felt free when she stopped explaining herself to others.
She now sees confidence as moving forward with grace despite self-doubt.
The actor and model insists the only narrative that matters is her own.
Malaika Arora has defiantly addressed the lifetime of criticism she has faced for her personal and professional choices. The actor and model, known for her impeccable fitness and fashion sense, said being labelled “too bold” is something she now wears as a crown. In a new interview, she opened up about her journey to unshakeable self-acceptance and shutting out the noise.
Malaika Arora reveals judgement made her stronger and shaped her boldness Getty Images
What has Malaika Arora said about the criticism she faces?
It seems there is very little Malaika has not been judged for. She laid it all out in a chat with The Hindustan Times, stating, “I was judged for my career, my clothes, my relationships, you name it.” That constant scrutiny from the public and media would be enough to make anyone second-guess themselves.
But her approach changed completely when she decided to stop engaging with it. She called the moment she quit explaining herself the moment she truly felt liberated. Her philosophy is pretty straightforward now: “The only narrative that matters is the one you write for yourself.” It is a powerful shift from being defined to doing the defining.
Malaika Arora owns every label from bold to outspoken and calls them her strength Getty Images
How does Malaika Arora respond to being called 'too much'?
Honestly, she has turned it into a strength. Those very criticisms have become a part of her identity, and she owns them completely. “I have been called too bold, too outspoken, too everything. And honestly? I wear it like a crown now,” she stated.
She even has a sharp, modern clapback for her detractors: “If I am ‘too much’ for someone, they are probably not enough for me.” This mindset is not just for show. It feeds into everything she does, from her fashion collaborations to her fitness brand. She has never followed a template, believing real confidence is when you “stop performing for the world and start living for yourself.”
Malaika Arora insists the only story that matters is the one she writes herself Getty Images
Does Malaika Arora ever experience self-doubt?
Absolutely. It is a reminder that confidence is not about being bulletproof. She is human, after all. Malaika was candid about the fact that self-doubt “never really disappears,” admitting there are days she questions herself just like anyone else. The key difference now is how she handles those moments. Instead of meting out self-criticism, she practises kindness. For her, confidence is not the absence of doubt but the ability to “move forward with grace despite it.”
This nuanced take is a far cry from the perfect, curated images we often see, making her stance all the more relatable to her fans who navigate their own insecurities.
Malaika Arora says she stopped explaining herself and found true freedomGetty Images
What is the core of Malaika Arora's confident mindset?
It all boils down to ownership. Her recent work as the face of a beauty campaign titled Own It felt less like a job and more like telling her own life story. She has had to fight labels and expectations her entire career. This is not about arrogance; it is about a quiet certainty in her own choices.
Whether it is balancing motherhood with her career or navigating public relationships, she trusts her gut. Her message is clear: stop letting outside opinions write your story. The greatest freedom comes from writing it yourself, unapologetically and on your own terms.
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Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda
First look images reveal the meta comedy take on the 1997 creature feature.
The film sees the duo as fans trying to shoot their own version of the original film.
Director Tom Gormican applies his The Unbearable Weight of Massive Talent formula.
The cast, including Thandiwe Newton and Steve Zahn, promises chaotic fun.
It is slated for a Christmas Day release, aiming for a box office strike.
The first photos from the wildly unexpected Anaconda remake have finally surfaced. This is not your typical Hollywood rehash, mind you. Jack Black and Paul Rudd are leading a brilliantly meta charge, playing superfans whose dream project goes horrifyingly wrong. The new images tease the comedic chaos planned for the big screen this Christmas.
Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda People/Courtesy of Sony Pictures
What is the new Anaconda movie actually about?
Right, so the plot is almost more interesting than the original film's premise. Black and Rudd play lifelong mates, Doug and Griff, who are utterly obsessed with the 1997 J.Lo and Ice Cube B-movie classic. They hit a midlife crisis and decide, you know what, let's actually do it. Let's go to the Amazon and remake Anaconda ourselves. The synopsis says their chaotic movie set gets turned upside down when a real, genuine giant anaconda decides to crash the party. So the film they're desperate to make might literally end them.
One name: Tom Gormican. He is the director behind The Unbearable Weight of Massive Talent, that brilliantly unhinged Nicolas Cage meta flick. He is bringing that exact same self aware, comedic energy here. Rudd himself said the script's clever meta angles appealed to him directly because he was a fan of The Unbearable Weight of Massive Talent. This is not some dour, serious reboot. It is like a knowing wink to the audience, a celebration of a so bad it's good film, all wrapped up in a proper action comedy. That angle is everything right now.
Sounds like an absolute riot, honestly. The chemistry between Black and Rudd is the main engine. Black said point blank that working with Rudd was the "main reason" he took the job, calling him "f---ing hilarious" and a "sweet pea". Rudd shared the same feelings, thrilled to finally work with Black properly for months. Even Steve Zahn, who is also in the mix, admitted to messing up takes because he could not stop laughing at them. When the cast is having that much fun, it usually bleeds through onto the screen.
Mark your calendars for a seriously unconventional Christmas Day. 25 December is the planned release date. Releasing a film about a giant killer snake on Christmas itself is a bizarre choice, you have to admit. It is going up against some family friendly stuff, but maybe that is the point, offering an alternative for those tired of the same formulaic content. Whether it becomes a festive box office gift or gets squeezed out remains to be seen, but one thing is for sure: it will be a talking point!