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Trailer of Ishaan Khatter and Ananya Panday starrer Khaali Peeli is entertaining

After the teaser and the songs, Beyonse Sharma Jayegi and Tehas Nehas, the makers of Khaali Peeli have finally released the trailer of the movie. Well, the film was supposed to hit the big screens but the makers have decided a direct-to-digital release for it on Zee Plex.

Ishaan took to Instagram to share the trailer with everyone. He posted, “Jalwaaa ? #KhaaliPeeliTrailer out. Sound badhaa ke dekhna ?? YouTube link in bio. Film on 2nd October on @zeeplexofficial⚡️ @macriaan @ananyapanday @jaideepahlawat @ihimanshumehra @aliabbaszafar @yash.keswani.mumbai #SimaAgarwal @adilafsarz @sanchitbalhara @ankitbalhara @zeestudiosofficial @offsideent @zeemusiccompany.”


Well, the trailer is entertaining and it looks like a cat and mouse game between the leads and the villain (played by the very talented Jaideep Ahlawat). The highlight of the trailer is Ishaan and Ananya’s performance. Both the actors are seen in a totally different avatar and have got the Mumbaiya accent perfectly. Also, the dialogues are damn good in the trailer.

Khaali Peeli will release on Zee Plex on 2nd October 2020. It will be available on a pay per view basis.

A few days ago, the movie was in the news because of the song Beyonce Sharma Jayegi. The lyrics of the song were ‘Tujhe dekhke goriyan, Beyonce Sharma Jayegi’, and a lot of people on social media felt that the lyrics are racist. The makers have now changed the song to Duniya Sharma Jayegi.

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  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
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  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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