Sridevi and Boney Kapoor’s daughter Khushi Kapoor doesn’t look any less than an international model when you see her at any event. Whether she’s wearing something a choli or a gown, she knows how to look stylish enough to turn someone’s head.
Sara Ali Khan
Sara Ali Khan is the daughter of Saif Ali Khan and his first wife Amrita Singh. She went from being a cute kid to a stylish celeb kid and currently one of the most-talked-about stars. She’s ready to make her debut soon with Abhishek Kapoor's directorial venture 'Kedarnath'. Sara is always seen around the city for her gym session or dance rehearsals for her movies wearing the simplest clothes. Her salwar, kameez and dupatta look are liked by many people.
Suhana Khan
Suhana Khan is the daughter of Shah Rukh Khan and Gauri Khan. She’s also one of the most talked about celeb kid in town. Even though the 18-year-old makes little appearances with her family, her desi look to party dresses and bikini looks can grab anyone’s attention. She’s definitely giving us the summer and everyday look inspiration with her recent holiday to Italy and France. Her recent work with Vogue magazine grabbed everyone’s attention because of her outfit choices.
Ananya Pandey
Ananya Pandey is the daughter of Chunky Pandey and Bhavna Pandey. The 19-year-old is making her debut with Karan Johar’s Student of The Year 2. She’s already a media sensation, because of her casual looks. Her little dress look to Indian clothes always makes her look stylish enough to grab others attention.
Navya Naveli Nanda
Navya Naveli Nanda is the daughter of Shwata Nanda and Nikihil Nanda. She is the granddaughter of Amitabh Bachchan. She already has a huge fan following without making any debut. However, when it comes to make appearances with her family she knows what will look best on her. Be it just casual outfits or gown, her fashion game is quite strong.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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