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The new release date of Coolie No. 1 to be decided post lockdown

Starring Varun Dhawan and Sara Ali Khan in lead roles, Coolie No. 1 is one of the highly awaited movies of 2020. Had there been no Coronavirus pandemic, the makers would have dropped the theatrical trailer of the forthcoming film a couple of weeks ago as it was set to enter cinemas worldwide on 1st May, 2020.

However, the nationwide lockdown imposed by Indian Prime Minister Narendra Modi in order to prevent the spread of COVID-19 threw cold water on all plans. With the number of Coronavirus patients seeing a spike with each passing day, it is certain that Coolie No. 1 will not be arriving in theatres on 1st May. According to reports, the producers of the film have decided to book a new release date only after the lockdown is lifted.

Talking to a publication, co-producer Jackky Bhagnani says, “At this point, we are waiting for the lockdown to open and I hope that things get back to normal as soon as possible. Till the time the lockdown does not open, we cannot really comment on that. Yes, we would love to bring a smile on people’s faces through the film but we all jointly believe that security and health of everyone is more important than anything else. We are waiting for the lockdown to end to take a call.”

Coolie No. 1 is directed by David Dhawan. It is an official remake of the Govinda and Karisma Kapoor starrer 1995 film of the same name. The original film was also helmed by David Dhawan. It will be interesting to see how different the new film is from the original.

Keep visiting this space for more updates from the world of Bollywood.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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