The biggest cinematic feast will be on offer at the 10th edition of the London Indian Film Festival this month.
The annual festival, which takes place in London, Manchester and Birmingham, has a stunning mix of genres, languages, premieres and special guests. Eastern Eye looked ahead to the annual festival to select 10 highlights.
Article 15:The opening night film is the world premiere of a hard-hitting drama starring Ayushmann Khurrana. The story revolves around a police officer from a privileged background posted to rural India, where he investigates the case of three missing teenage girls and battles a corrupt system.
Bulbul Can Sing: The latest film from Village Rockstars-director Rima Das has won prestigious awards at global film festivals. The coming-of-age story revolves around three teenagers in Assam who have their bonds as loyal friends tested, including an independent young girl who must weather a tragedy.
Photograph: The closing night film of the London edition of the festival is a simple love story between a humble street photographer and an attractive wealthy woman. The latest film from acclaimed The Lunchbox-director Ritesh Batra stars Nawazuddin Siddiqui and Sanya Malhotra.
Ardass Karaan: The world premiere of the Punjabi film revolves around three elderly men living in Canada struggling to cope with the generational divide in their families, who get help from an unlikely source. There will be a chance to see the famous lead star and director Gippy Grewal being interviewed live after the film.
Jalsaghar (The Music Room): There are world premieres at the festival of new films, but also a chance to see this classic 1958 drama from ace director Satyajit Ray. A movie once voted as one of the greatest of all time revolves around a former star desperately trying to cling onto a fading way of life and his obsession for music.
An Evening with Radhika Apte: There will be a number of high-profile live talks from people within the film fraternity throughout the festival, including at screenings. Perhaps the most interesting is a live interview with acclaimed actress Radhika Apte, who has made a name for herself in diverse movies and popular dramas on streaming site Netflix.
Saturday Afternoon: The latest film from acclaimed Bangladeshi filmmaker
Mostofa Sarwar Farooki is a tense thriller shot in a single take, which revolves around terrorists taking over an eatery in Dhaka. The film based on real-life events boasts an impressive cast and takes a close look at the roots of modern-day terrorism.
Shonajhurir Bhoot (Ghost of the Golden Groves): The International premiere of a Bengali language sci-fi film that has been described as breathtakingly original. There are two seemingly unconnected stories of individuals who must deal with an eerie presence in a treacherous forest. The film blends a number of classical and contemporary influences.
Too Desi Too Queer: There is a special free event exploring wellbeing in London’s South Asian LGBTQ+ communities through a dynamic range of short films from the UK and South Asia. This will be followed by a panel debate with high-profile people and a networking social with a DJ.
Widow of Silence: The UK premiere of the Urdu language drama that has delighted audiences at international film festivals. The Kashmir-set story revolves around a single nurse who works hard in a hospital to support her family and trying to get a death certificate for her husband, who had been taken away by the police and presumed dead.
Visit www.londonindianfilmfestival.co.uk for more.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.