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Star Plus’ new series Yeh Rishtey Hain Pyaar Ke begins production

There is no denying the fact that fans are waiting for Yeh Rishtey Hain Pyaar Ke, a spin-off to Star Plus’ iconic show Yeh Rishta Kya Kehlata Hai, with bated breath.

Recently, the channel dropped the first promo of the series, introducing its female lead Rhea Sharma as Mishty Singhania, cousin of Naira Singhania a.k.a. Shivangi Joshi. The promo became a talking point for all the Yeh Rishta Kya Kehlata Hai fans across the globe.


The latest we hear that the entire team of Yeh Rishtey Hain Pyaar Ke commenced the shoot on Thursday after conducting a pooja. Along with the entire star cast, producer Rajan Shahi was also spotted on the magnificent sets of the new series.

Yeh Rishtey Hain Pyaar Ke stars Shaheer Sheikh and Rhea Sharma as the lead pair. Ritvik Arora, Pooja Joshi, Lata Sabberwal, Roopal Patel and Sangeeta Kapure also play important characters on the show.

The new series revolves around Rhea Sharma’s character Mishty Singhania from the original show Yeh Rishta Kya Kehlata Hai.

The show is expected to hit airwaves from March on Star Plus.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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