South Asian Sounds Festival attracts megastars for inaugural festival
From the 7th to the 10th March, a programme of both classical and contemporary South Asian music features some mega stars of the South Asian music scene.
South Asia's finest musical stars are set to perform at the first South Asian Sounds Festival at London's Southbank Centre. From the 7th to the 10th March, a stunning programme of both classical and contemporary South Asian music features some mega stars of the South Asian music scene such as The King of Bhangra, Malkit Singh MBE and genre-defying musicians Jason Singh and Sarathy Korwar whose concerts have been curated by Asian Arts Agency.
The South Asian Sounds Festival has been developed in coordination with the UK’s leading South Asian booking agencies, including Bristol-based and globally renowned Asian Arts Agency. Its special programme provides a snapshot of the diversity of South Asian music including the King of Bhangra, Malkit Singh, beatboxer and DJ, Jason Singh and avant-garde jazz musician, Sarathy Korwar.
The King of Bhangra Malkit Singh Golden Star
Malkit Singh MBE Golden Star takes to the stage for South Asian Sounds’ Friday night’s premiere event at the Royal Festival Hall. From ‘Outstanding Achievement’ at the Brit Asia TV Music Awards to being honoured on Birmingham’s Walk of Stars, Malkit Singh is a performance and recording icon.
Vocal performances that shot Malkit Singh to extraordinary heights of international fame include the hit song from which Malkit takes his moniker ‘Kali Ainak’ (‘Golden Star’) and ‘Gur Nalo Ishq Mitha’ and ‘Tutak Tutak Toothiyan’. The latter song was penned by Veer Rahimpuri and became the fastest-selling and most successful Bhangra single at the time. Malkit’s performances on ‘Chal Hun’ and ‘Jind Mahi featured on the movie soundtrack for ‘Bend It Like Beckham’. Malkit Singh MBE was listed by the Guinness Book of Records as the biggest-selling bhangra solo artist of all time and is acknowledged internationally for taking Punjabi folk music onto a world stage. In 2008, Malkit Singh became the first Punjabi singer to be honoured with an MBE from Queen Elizabeth II.
New Soundz: Jason Singh & Sarathy Korwar
The finale concert of South Asian Sounds takes place in the evening of Sunday, March 10th in the Queen Elizabeth Hall and is actually a three-in-one innovative performance of contemporary music and sounds called New Soundz. This event is a follow-up to Asian Arts Agency’s well-received and attended New Soundz festival which took place in Bristol in November 2023.
The star musicians for this final performance are exceptionally talented artists who both strive to stretch musical borders and succeed effortlessly. They are sound artist extraordinaire, Jason Singh and genre-defying musician Sarathy Korwar, who will both perform solo shows and then come together for a collaborative show.
Dubbed the ‘human sampler’ by BBC Radio 6, Jason Singh’s solo section crafts immersive soundscapes drawn from nature’s diverse sounds and then a collaborative performance with award-winning Sarathy Korwar as the festival finale. Singh and Korwar explore a range of soundscapes, drawing inspiration from Indian classical ragas, jazz, ambient, avant-garde hip-hop, dub and the natural world.
“Asian Arts Agency has been promoting artists, curating events and developing new talent from across the globe for over fifteen years” comments Director Jaswinder Singh. “The Southbank Centre is known for innovation and cultural diversity and it is an honour to have our artists participating in the Southbank Centre’s inaugural South Asian Sounds festival this March. For the first festival edition, we are focusing on presenting some of the best of British Asian artists including crowd favourite, Malkit Singh and his high-energy performance to the more ambient sound style of Sarathy Korwar and the upbeat beats of Jason Singh, we are confident that our artists will provide something for everyone attending. Given our international and national work, collaborating with Southbank Centre is a significant step for our work and we’re excited to see how audiences will react.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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