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SOTY 2 to showcase the trailer of Sonam Kapoor’s The Zoya Factor

After the debacle of Ek Ladki Ko Dekha Toh Aisa Laga (2019), Sonam Kapoor will next be seen in The Zoya Factor, a romcom based on renowned author Anuja Chauhan’s 2008 novel of the same name.

The latest we hear that the trailer of the much-anticipated film will be attached to Dharma Productions upcoming venture, Student of the Year 2. Buzz also has it that before attaching the trailer to SOTY 2, the makers may drop it in the first week of May.


Also starring southern superstar Dulquer Salmaan, who made his Bollywood debut with Akarsh Khurana’s Karwaan (2018), The Zoya Factor revolves in the background of 2011 Cricket World Cup.

The film is directed by Abhishek Sharma, who has previously helmed successful movies such as Tere Bin Laden (2010) and Parmanu: The Story Of Pokharan (2018).

Produced by Fox Star Studios, The Zoya Factor will be distributed by Walt Disney Studios Motion Pictures.

It is slated to hit the marquee on 14th June, 2019.

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Aamir Khan says film failures leave him ‘depressed’ for months: ‘It feels like losing a child’

A film flop still feels deeply personal to Bollywood’s perfectionist

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Aamir Khan says film failures leave him ‘depressed’ for months: ‘It feels like losing a child’

Highlights

  • Aamir Khan said he goes into a period of emotional distress after a film fails
  • The actor compared a rejected film to “losing a child”
  • He revealed that disappointment can stay with him for two to three months
  • Aamir also spoke about reworking films such as Delhi Belly and Taare Zameen Par after early cuts

Aamir says failure hits him far beyond the box office

Aamir Khan has opened up about the emotional toll film failures take on him, revealing that disappointing audience reactions can affect him for months. The actor said he becomes deeply distressed when a project does not work and admitted that he takes such setbacks very personally.

Reflecting on how strongly he connects with his work, Aamir said he often slips into what he described as a period of “depression” for two to three months after a film underperforms. Clarifying that he was speaking emotionally rather than in a clinical sense, he explained that every film becomes deeply personal because of the time and energy invested in it.

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