Skip to content
Search

Latest Stories

SOTY 2 to showcase the trailer of Sonam Kapoor’s The Zoya Factor

After the debacle of Ek Ladki Ko Dekha Toh Aisa Laga (2019), Sonam Kapoor will next be seen in The Zoya Factor, a romcom based on renowned author Anuja Chauhan’s 2008 novel of the same name.

The latest we hear that the trailer of the much-anticipated film will be attached to Dharma Productions upcoming venture, Student of the Year 2. Buzz also has it that before attaching the trailer to SOTY 2, the makers may drop it in the first week of May.


Also starring southern superstar Dulquer Salmaan, who made his Bollywood debut with Akarsh Khurana’s Karwaan (2018), The Zoya Factor revolves in the background of 2011 Cricket World Cup.

The film is directed by Abhishek Sharma, who has previously helmed successful movies such as Tere Bin Laden (2010) and Parmanu: The Story Of Pokharan (2018).

Produced by Fox Star Studios, The Zoya Factor will be distributed by Walt Disney Studios Motion Pictures.

It is slated to hit the marquee on 14th June, 2019.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less