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Short circuit causes fire on the sets of Shah Rukh Khan’s Zero

Shocking news for the fans of superstar Shah Rukh Khan all across the world! According to reports, a major fire broke out on the sets of Khan’s upcoming film Zero on Thursday. The set is situated in Film City, Mumbai.

As per reports, the fire was caused by a short circuit. The incident took place around 4: 30 PM. Shah Rukh Khan was present on the sets along with the crew at the time of the incident.


Around 4 fire tenders were rushed to the spot to douse the fire. Fortunately, no casualty or injuries have been reported so far.

Directed by Aanand L Rai, Zero is one of the most ambitious films of megastar Shah Rukh Khan’s career. Also starring Anushka Sharma and Katrina Kaif in principal roles, the movie sees SRK in the role of a dwarf man.

The trailer of the movie, which was rolled out on SRK’s birthday on 2nd November, has received overwhelming response from the audience. Now all eyes are fixed on its performance at the box-office.

Made under the banners of Colour Yellow Pictures and Red Chillies Entertainment, Zero is slated to hit the silver screen on 21st December.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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