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Shoaib Ibrahim on plans of working with Dipika Kakar: It all depends on the makers

Shoaib Ibrahim and Dipika Kakar starred together in the serial Sasural Simar Ka and love blossomed between them. In 2018, the two tied the knot and they are regarded as one of the most loved television jodis. Even on social media, their fans love their PDA.


We recently met Shoaib and asked him what he has to say about being called the best television couple. The actor said, “This is people’s love for us that they call us one of the best couples in the television industry. Well, I feel we just love each other and in every couple, there should be an understanding, love, and care. I think every couple can be the best couple. We try to find happiness in small things and that happiness turns into big things.”

When asked if he and Dipika are planning to work together again in a serial, web series or in films, Shoaib said, “We can’t say anything right now about it. It all depends on the makers if they want to cast us together. But yes, if in future there’s something good and we feel that we should work together, then we will definitely do it.”

While talking about his future projects, Shoaib said, “There are things, there are many things in the pipeline, but for now, I can’t commit and can’t speak about it. There are things I am working on and there are things on which we both are working (him and Dipika). I will let you guys know, who else I will tell about it.”

Currently, Dipika is starring in Kahaan Hum Kahaan Tum which is successfully airing on Star Plus. Shoaib was last seen on the small screen in Ishq Mein Marjawan which aired on Colors TV. We are sure Shoaib and Dipika's fans are eagerly waiting to see them on the small screen together again.

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Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

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