How far can you go to get the person you love? What all you can do to be with the person you love? Well, these questions have been answered by Bollywood filmmakers many times. But, isn't this a done and dusted concept?
Shiddat is about Jaggi (Sunny Kaushal) and Karthika (Radhika Madan). They meet at a sports event, and the former falls in love with the latter, but Karthika's marriage is already fixed in London. Karthika feels that Jaggi doesn't love her and it's just an attraction. So, she tells him that if even after a few months, he still feels that he loves her, then he should come to London and she will stop the wedding. After three months, Jaggi decides to go to London and stop the wedding. The story further moves with cliches that we have been watching in Bollywood movies for the past many years.
Kunal Deshmukh's Shiddat is a film that's stuck in the 90s and early 2000s. As we said it's a done and dusted concept, and most importantly it goes into that zone where the guy makes the girl feel guilty about what all he has done for her, and then she falls in love with him.
While the story of the film is outdated, the screenplay and the narration are good in bits and parts. The first half of the film is strictly average. The movie picks up a bit in the second half and gets better.
The film mainly concentrates on Jaggi and Karthika's story, but there's another couple in the film, Gautam (Mohit Raina) and Ira (Diana Penty), whose love story is also showcased. Believe us, while watching the movie, you would feel more connected to Gautam and Ira's story than Jaggi and Karthika's story.
One of the reasons why Gautam and Ira's story stands out here is because Mohit Raina and Diana Penty shine in their respective roles. They are simply excellent. Raina proves his versatility once again and we hope that we get to see him in more films. Diana's screen time is less than all the other actors in the film, but she steals the show when she appears on the screens.
Sunny Kaushal and Radhika Madan are good in their parts. But, they still need to work a bit more to carry a romantic film on their shoulders.
One department in which the film gets full marks is the music. The songs in the film are damn good, especially the title track.
Overall, Shiddat is an average film filled with a lot of cliches. Watch it if you are a Mohit Raina or Diana Penty fan.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.