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Shefali Shah wraps up the shooting of Doctor G

Shefali Shah wraps up the shooting of Doctor G

Shefali Shah has some interesting projects lined up and one of them is Doctor G which also stars Ayushmann Khurrana and Rakul Preet Singh. The actress recently wrapped up the shooting of the movie and took to Instagram to inform everyone about it.

She posted, “Yet another journey comes to an end. No wrong it’s just the beginning of like minded people coming together, making friends, getting enriched by each and everyone’s contribution to make her and me come alive. Thank you to the beautiful team with amazingly talented, fun and chilled people. Will miss you’ll.”


Shefali Shah Doctor G 3

Directed Anubhuti Kashyap, Shah plays the role of a senior doctor named Nandini in the film.

Talking about other projects of Shah, the veteran actress will be seen in movies like Jalsa, and Darlings. The former also stars Vidya Balan in the lead role, and the latter features Alia Bhatt as one of the leads.

Shefali also has a couple of web series lined up. She will be seen in Netflix’s Delhi Crime season two and Disney+ Hotstar’s Human.

Earlier this, month, the actress had wrapped up the shooting of Darlings. She had posted on Instagram, “Another wrap ? Nothing prepares me for the good-byes ??? #ShootWrap All the #Darlings, thank you for creating HER with me and I’ll miss you'll sooooo much.”

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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