Like every Indian who experienced emotions of ecstasy and pride during T20 World Cup winning Team India's homecoming on July 4, superstar Shah Rukh Khan also got emotional after Team India brought the T20 World Cup trophy home and took part in a victory parade in Mumbai.
SRK took to his X and re-shared Team India's victory parade along the Marine Drive from Nariman Point to the Wankhede Stadium and wrote a congratulatory message for the Men in Blue.
“Seeing the boys so happy and emotional fills my heart with pride... As Indians this is such an amazing moment - to see our boys take us to such great heights!!! Love u all my Team India... and now dance away all night long. Boys in Blue take away all the blues! Big Congratulations to the @BCCI, @JayShah, and the entire support staff that has worked tirelessly behind the scenes so that our boys could soar!!," he captioned the post.
On Thursday morning, the T20 World Cup-winning Indian team touched down in the national capital Delhi to a warm welcome from fans waiting eagerly to catch a glimpse of their heroes and the trophy.
From the airport, the team went to the ITC Maurya Hotel where a special cake featuring the T20 World Cup trophy was cut to celebrate the win. Rohit Sharma, Virat Kohli, Rahul Dravid, and all-rounder Hardik Pandya were among the stars who took part in the cake-cutting.
After the cake-cutting, Team India met Prime Minister Narendra Modi at his residence, 7, Lok Kalyan Marg, and had breakfast with him. During their meeting with the Prime Minister, the 'Men in Blue' wore a special jersey sporting two stars over the BCCI's emblem. The stars represented the two T20 World Cup wins. The word 'CHAMPIONS' was written on the jersey in bold letters.
Following their meeting with PM Modi, the players departed for Mumbai. In Mumbai, the Men in Blue had an open bus victory parade from Marine Drive to the iconic Wankhede Stadium. The parade was an affair to remember and marvel as thousands of fans gathered at Marine Drive and surrounded the bus before it could even get Indian players on it.
The team went to Wankhede amid cheers, chants, and claps from passionate fans. At the stadium, they were felicitated with the prize money of Rs 125 crores by the Board of Control for Cricket in India (BCCI) office-bearers. Players also talked about their win, and the performances of key players in the T20 World Cup inside a jam-packed Wankhede and danced their hearts out. The event also featured the players taking a victory lap to the tune of the country's national song, 'Vande Mataram'.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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