Close friends and colleagues of Vicky Kaushal and Katrina Kaif, including filmmaker Kabir Khan, his wife Mini Mathur, director Vijay Krishna Achara, Sharvari Wagh, Neha Dhupia, and Angad Bedi arrived in Jaipur on Tuesday morning to attend their wedding.
The three-day wedding festivities of Kaif and Kaushal started on Tuesday with a Mehendi ceremony and to celebrate the occasion, family members, as well as close friends of the couple from the film industry, have reached Rajasthan.
Both Kaif, 38, and Kaushal, left for Jaipur from Mumbai on Monday evening with their families. Soon after their arrival in Jaipur, the two families drove straight to the wedding venue, Six Senses Fort Barwara, Sawai Madhopur, in a convoy of more than 15 cars.
The wedding preparations have been in full swing. It is going to be a private, intimate affair, but the couple has spared no expense to ensure that they make their special day a memorable one. Vicky has a big, loving, and warm Punjabi family on his side, who are all looking forward to officially welcoming Katrina into the family.
Six Senses Fort Barwara, the luxurious property, a fort converted into a hotel, is guarded by private security personnel and bouncers. Elaborate security arrangements are in place in and around the hotel. According to the source, the Mehendi ceremony is most likely to be held on Tuesday.
Noted playback singers like Shankar Mahadevan, Ehsaan Noorani, Punjabi singer Gurdas Maan, were also spotted arriving at Jaipur earlier today. There are reports that Mann will be performing at the wedding. When asked what would he like to say to Katrina and Vicky, Maan told reporters outside Jaipur airport, “My love to the couple. God bless them.”
While both the gates of the hotel are being guarded by private security personnel, local policemen are also seen deployed in the area. District collector Rajendra Kishan said that the district administration has given instructions to the hotel authorities to ensure compliance with Covid-19 safety guidelines. “It is a personal event. I recently held a meeting with our officers and representatives of the hotel and asked them to ensure compliance of Covid-19 related guidelines,” he said.
The hotel authorities and security agency have also been instructed to coordinate with the local police so that there is no security-related issue, he said.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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