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Sanju trailer to be rolled out on 24th April

After spending more than two years in the writing, pre-production, production and post-production, noted filmmaker Rajkumar Hirani is ready with his next directorial venture, tentatively titled Sanju, a biopic on Bollywood superstar Sanjay Dutt. Buzz has it that the trailer of his film will be rolled out on 24th April.

According to well-known trade analyst, Ramesh Bala, Hirani and his team will unveil the official trailer of the biopic on 24th April. Bala also added that the theatrical trailer will also be attached with the prints of upcoming Hollywood biggie Avengers: Infinity War which enters cinemas on 27th April.


Featuring Ranbir Kapoor as Sanjay Dutt, the biopic throws light on various ups and downs of Dutt's life. The project has been in the news even before its official announcement, and hence it is being touted as one of the biggest releases of 2018.

Jointly produced by Rajkumar Hirani and Vidhu Vinod Chopra, the movie also stars Anushka Sharma, Sonam Kapoor, Paresh Rawal, Manish Koirala, Karishma Tanna, Jim Sarbh and Vicky Kaushal, among others.

It is slated to release on 29th June 2018.

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5 mythological picks now streaming in the UK — must-watch

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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