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Salman Khan’s Kabhi Eid Kabhi Diwali to arrive on December 30

Bollywood superstar Salman Khan's much-anticipated film Kabhi Eid Kabhi Diwali will hit on December 30, the makers announced on Thursday.  

The family entertainer is produced by Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment and is helmed by Farhad Samji.


Also featuring Pooja Hegde in the lead role, the film will hit the theatres three days after Khan's 57th birthday.

In a Twitter post, Nadiadwala's production company, Nadiadwala Grandson Entertainment shared the new release date of Kabhi Eid Kabhi Diwali, which was earlier slated to be released on Eid 2023.

“Celebrate #KabhiEidKabhiDiwali on New Year with @BeingSalmanKhan & #SajidNadiadwala directed by @farhad_samji Releasing in cinemas on 30th December 2022. @WardaNadiadwala,” the tweet read.

The film marks the seventh collaboration between Nadiadwala and Khan after films such as Judwaa, Har Dil Jo Pyaar Karega, Mujhse Shaadi Karogi, and Kick.

According to a source close to the production house, Kabhi Eid Kabhi Diwali is set to go on floors in the month of April.

Keep visiting this space over and again for more updates and reveals from the glitzy world of entertainment.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
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  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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