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Saif Ali Khan’s next film Hunter to get a new title

Nation Film Award-winning actor Saif Ali Khan, who is presently working on superstar Ajay Devgn’s ambitious war drama Tanhaji: The Unsung Warrior, has some interesting projects on his platter at the moment.

While fans are waiting to know when the second season of his Netflix series Sacred Games will be out, Khan will also be seen in an interesting role in his forthcoming film with NH10 (2015) fame Navdeep Singh.


Until now, the project was titled Hunter. However, if latest reports are to be believed, the makers have renamed the film and now it will be called something else. The new title will be revealed soon.

"Navdeep's film produced by Aanand L Rai was earlier titled Hunter but we now hear that the makers will announce the official title shortly. While other details remain unknown at this juncture, the makers are planning a big September release for the film," a source tells an Indian daily.

Saif Ali Khan plays a Naga Sadhu in the movie. Last year, his look from the film got leaked online, which received great response from film enthusiasts. His intriguing look added to the anticipation even further and fans are waiting to see what he has to offer in the flick.

Besides Tanhaji: The Unsung Warrior and the Navdeep Singh directorial, Saif Ali Khan will also be seen in Bhoot Police and Jawaani Janeman.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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