Skip to content
Search

Latest Stories

Saif Ali Khan replaces Abhishek Bachchan in Tantrik

According to reports, Saif Ali Khan has replaced Abhishek Bachchan in an upcoming horror flick titled Tantrik. Bachchan was signed on to play the male lead a couple of months ago, but now the makers are set to take the project forward with the National Film Award-winning actor Saif Ali Khan.

Tantrik will be helmed by filmmaker Pawan Kriplani whose credits include Ragini MMS (2011), Darr @ The Mall (2013) and Phobia (2016). The director is presently busy locking locations. He is also looking for an actress to play the female lead opposite Saif Ali Khan in the movie.


Meanwhile, Khan is presently shooting for the Netflix original Sacred Games 2 simultaneously with Navdeep Singh’s untitled film. He also plays a significant part in superstar Ajay Devgn’s ambitious film project, Taanaji: The Unsung Warrior.

Besides Sacred Games 2, Taanaji: The Unsung Warrior and now Tantrik, the actor will also be seen in his own production Jawani Janeman. To be helmed by Nitin Kakkar of Filmistaan (2013) fame, Jawani Janeman will launch Pooja Bedi’s daughter Aalia Furniturewalla in Bollywood. The film is expected to start rolling as soon as Kakkar is done with his another film Notebook, produced by superstar Salman Khan.

Abhishek Bachchan, on the other hand, has joined forces with ace filmmaker Anurag Basu for an untitled film.

More For You

Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

Keep ReadingShow less