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Saif Ali Khan and Rajkummar Rao to topline Jigarthanda remake?

According to reports, Rajkummar Rao and Saif Ali Khan are set to join forces to headline the official Hindi remake of Tamil gangster comedy Jigarthanda. Helmed by Karthik Subbaraj, the Tamil film hit screens in 2014 and turned out to be a huge money-spinner at the box-office. Made on a tight budget of ₹ 10 crores, Jigarthanda wrapped up its lifetime business by raking in more than ₹ 35 crores.

Buzz has it that well-known producer Sajid Nadiadwala has shown interest in the project and is gearing up to remake it in Hindi. While Rajkummar Rao has been confirmed to play the lead role, the makers are reportedly considering Saif Ali Khan for the role of the gangster in the flick. Interestingly, Saif has previously played a gangster in Vishal Bhardwaj’s Omkara (2006) and Tigmanshu Dhulia’s Bullett Raja (2013).

“When Ajay Devgn bought the rights of the film a few years ago, he wanted Farhan to play the filmmaker and Sanjay Dutt to play the gangster. The casting was like picking up the sitting ducks to essay the roles, as both Farhan and Sanju were apt to do it. But since that project went into cold storage, director Abhishek Chaubey came out with his wishlist for the roles and has zeroed in on Rajkummar and Saif for the said characters. While Bobby Simha had a very desi style in the Tamil film, the character designed for Saif is a little more stylish,” reveals a source.

Meanwhile, Rajkummar Rao is presently busy shooting for his horror-comedy Roohi-Afza with newcomer Janhvi Kapoor. Saif Ali Khan, on the other hand, is shooting for his next Jawani Janeman. Apart from playing the male lead, the superstar is also co-producing the film under his production house.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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