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Rumours about Bhansali signing Salman and Shah Rukh for his next hit headlines again

A couple of months ago, Bollywood was buzzing with rumours that ace filmmaker Sanjay Leela Bhansali, who last helmed Padmaavat (2018), was considering to rope in superstars Salman Khan and Shah Rukh Khan in his next directorial venture.

Months later, the same rumours are back to hit headlines once again. If reports are to be believed, Bhansali is planning to work with Salman and Shah Rukh in his next film, which is being made along the lines of Subhash Ghai’s 1991 blockbuster Saudagar.


"Sanjay is contemplating a subject like Saudagar, in which Salman and Shah Rukh play friends who have a fallout and become sworn enemies, only to let bygones be bygones towards the end of the story to reunite against a common enemy and for the greater good,” a source reveals.

The source goes on to add, "However, he is being utmost cautious that it’s not seen as inspired from Subhash Ghai’s 1991 superhit starring Dilip Kumar and Raaj Kumar.”

Well, it has been more than a decade since Shah Rukh and Salman have not done a full-fledged film together. If Sanjay Leela Bhansali manages to cast them together in his next directorial venture, it will be nothing less than a casting coup of sort.

Talking about the female lead, there were rumours that Anushka Sharma was approached by Bhansali. However, the actress issued a statement and cleared that she was never approached by the acclaimed filmmaker.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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