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Rumours about Bhansali signing Salman and Shah Rukh for his next hit headlines again

A couple of months ago, Bollywood was buzzing with rumours that ace filmmaker Sanjay Leela Bhansali, who last helmed Padmaavat (2018), was considering to rope in superstars Salman Khan and Shah Rukh Khan in his next directorial venture.

Months later, the same rumours are back to hit headlines once again. If reports are to be believed, Bhansali is planning to work with Salman and Shah Rukh in his next film, which is being made along the lines of Subhash Ghai’s 1991 blockbuster Saudagar.


"Sanjay is contemplating a subject like Saudagar, in which Salman and Shah Rukh play friends who have a fallout and become sworn enemies, only to let bygones be bygones towards the end of the story to reunite against a common enemy and for the greater good,” a source reveals.

The source goes on to add, "However, he is being utmost cautious that it’s not seen as inspired from Subhash Ghai’s 1991 superhit starring Dilip Kumar and Raaj Kumar.”

Well, it has been more than a decade since Shah Rukh and Salman have not done a full-fledged film together. If Sanjay Leela Bhansali manages to cast them together in his next directorial venture, it will be nothing less than a casting coup of sort.

Talking about the female lead, there were rumours that Anushka Sharma was approached by Bhansali. However, the actress issued a statement and cleared that she was never approached by the acclaimed filmmaker.

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Javed Akhtar

Javed Akhtar has pushed back against the growing tendency to categorise films as propaganda

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Javed Akhtar defends propaganda films, says ‘every story takes some stand’ as he praises 'Dhurandhar'

Highlights

  • Akhtar says every filmmaker has the right to express ideas through films
  • He challenges the way certain films are branded as propaganda
  • The veteran writer links storytelling to changing social values

A defence of creative intent over labels

Veteran lyricist and screenwriter Javed Akhtar has pushed back against the growing tendency to categorise films as propaganda, arguing that storytelling has always involved a point of view. Speaking to reporters on the sidelines of an event in Kolkata, where he received a special award from a jewellery brand, Akhtar said he does not subscribe to the way the term is currently used in public debate.

He cited his appreciation for Dhurandhar, noting that he preferred the first instalment to its sequel. For Akhtar, the issue lies less in the content of films and more in how audiences respond to differing perspectives.

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