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Rohit Shetty’s Khatron Ke Khiladi 12 to premiere on July 2

Shetty, who returns as the host of the show for the eighth time, started filming for the upcoming season in Cape Town, South Africa, last week.

Rohit Shetty’s Khatron Ke Khiladi 12 to premiere on July 2

The 12th season of the adventure and stunt-based reality show Khatron Ke Khiladi will start airing on Colors channel from July 2.

The television channel shared the premiere date of its popular show on Twitter.


"Watch Khatron Ke Khiladi on Colors every Saturday and Sunday at 9:00 pm, starting from July 2.

Filmmaker Rohit Shetty, who returns as the host of the show for the eighth time, started filming for the upcoming season in Cape Town, South Africa, last week.

The show features celebrity contestants facing their worst fears to win the coveted title.

The celebrities participating in the upcoming season are Rubina Dilaik, Pratik Sehajpal, Sriti Jha, Nishant Bhat, Faisal Sheikh, Shivangi Joshi, Jannat Zubair, Tushar Kalia, Mohit Malik, Erika Packard, Chetna Pande, Kanika Mann, Aneri Vajani, and Rajiv Adatia.

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Anurag Kashyap on 'Dhurandhar': "Ignored the propaganda dialogues and loved the filmmaking"

Filmmaker Anurag Kashyap has added his voice to the praise for Aditya Dhar’s spy thriller Dhurandhar

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Anurag Kashyap on 'Dhurandhar': "Ignored the propaganda dialogues and loved the filmmaking"

Highlights

  • Anurag Kashyap calls Dhurandhar a “significant” and “brilliant” film despite disagreeing with parts of its politics
  • Says he ignored what he viewed as propaganda lines and concentrated on the filmmaking
  • Compares the film to Hollywood war dramas often criticised for political messaging

Kashyap’s review singles out craft over ideology

Filmmaker Anurag Kashyap has added his voice to the praise for Aditya Dhar’s spy thriller Dhurandhar, saying he admired the film even though he did not agree with all of its political messaging. Writing on Letterboxd, Kashyap said he chose to look past what he felt were a couple of propaganda-heavy moments and instead focus on the quality of the filmmaking.

He noted that hostility towards an enemy state is often built into the genre itself, adding that he had no issue with that aspect. However, he pointed to two specific dialogues that troubled him, saying that setting them aside allowed the film to work strongly on its own terms. He described Dhurandhar as a good, and ultimately brilliant, film largely set in Pakistan.

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