Actor Richa Chadha on Monday said she has initiated "appropriate" legal action after her name was dragged in a "defamatory" manner by actor Payal Ghosh, who has accused filmmaker Anurag Kashyap of sexual harassment.
On Saturday, Ghosh took to Twitter, claiming that the Gangs of Wasseypur director was sexually inappropriate towards her, an allegation Kashyap called "baseless".
In a video released to ABN Telugu, Ghosh claimed that the incident happened in 2014-2015.
The actor, who made her Hindi debut with Rishi Kapoor-Paresh Rawal starrer Patel Ki Punjabi Shaadi, also claimed that Kashyap boasted about his connection with megastar Amitabh Bachchan and claimed that there were other female artistes who he got intimate with, including Chadha.
Chadha took to Twitter to share her lawyer Saveena Bedi Sachar's statement.
"Our client has initiated appropriate legal action and shall further pursue her legal rights and remedies in law as may be advised in her best interest."
The statement further read that the Fukrey star condemns her name being "unnecessarily and falsely dragged in a defamatory manner" into controversies and allegations raised by "third parties."
"Though our client believes that genuinely wronged women should get justice at all costs, there are legislations that are intended to ensure that women have an equal standing in their workplace and to ensure that they have a cordial workplace in which their dignity and self-respect is protected.
"No woman can be allowed to misuse their liberties to harass other women with unsubstantiated or non-existent, false and baseless allegations."
When a Twitter user criticized the actor for speaking against casting couch in the past and now siding with Kashyap, Chadha called her out for being agenda driven.
"Attempt to rape is a serious allegation. She should have gone to the cops. You think feminism is women dragging your name in an obscene, unnecessary way in their personal battles? So I can make cheap allegations about you on TV? Your agenda has blinded you towards truth. Shame," the actor wrote in reply.
Kashyap, too, shared a statement from his lawyer, Priyanka Khimani, that said the 48-year-old director has been "fully advised of his rights and remedies in law and intends to pursue them to the fullest extent."
Dismissing the allegations on Sunday, Kashyap called Ghosh's claim an attempt to "silence" him for his outspoken views.
The director found support in his industry friends, including Hansal Mehta, Taapse Pannu, Mohd Zeeshan Ayyub as well as former wives, film editor Aarti Bajaj and actor Kalki Koechlin who credited him for creating safe work space for women.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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