REVEALED: Judges’ Anger at “Whitewash” Hiring Review
By BARNIE CHOUDHURYApr 12, 2022
An experienced south Asian Crown court judge has called on the body which appoints and promotes justices to investigate the culture of bullying and racism which exist in the profession.
Judge Kaly Kaul QC’s comments coincide with a so called “independent review” of the recruitment process by the Judicial Appointments Commission (JAC).
Eastern Eye can reveal that JAC consultants interviewed just 0.24 per cent of judges in England and Wales.
Kaul is taking her employers to court over allegations of bullying, and she corresponded with Eastern Eye in her capacity as the founder of the Judicial Support Network (JSN).
“We invite the JAC to challenge the judiciary, it is supposed to be independent after all,” she said.
“Ask about bullying, discrimination, unfair allocation of tickets, authorisations, opportunities for advancement, favouritism by leadership judges, presiders and others.
Judge Kaly Kaul (Credit: Edward Lloyd/Alpha Press)
“Ask them why judges appointed via the JAC with known disabilities do not receive the reasonable adjustments to which they are entitled after appointment.
“Ask why judges describe us as a JAC ‘tick in the box’, ‘not up to the job’, just as some of us were described in silk, as ‘well we have to appoint some of them, so s/he is pleasant enough.’
“I am nearly 40 years’ call. Will this ever end?
“We invite the JAC to stand up for the principles it is meant to uphold, work with us, work for a strong, truly independent, diverse and inclusive judiciary.
“Diversity of truth matters too. All we want to be is the best judges we can be and treated with dignity and respect.”
“Whitewash”
Several judges and lawyers have described the “independent review” as “a whitewash and wasted opportunity”, Eastern Eye has found.
They have questioned the independence of the findings after the report made clear they interviewed just 18 people chosen by the JAC and Judicial Office (JO).
Only 12 of these were judges. In April 2020, government figures revealed there were 5,000 court and tribunal judges.
That means they spoke to just 0.24 per cent of available judges.
The remaining six people were made up of JAC staff and three from the Law Society, Bar Council and Chartered Institute of Legal Executives.
The review report admits that statutory consultations, or secret soundings, where senior judges can, in effect, blackball candidates they do not like, “leads to a perception of lack of transparency”.
“It is clearly not independent as the numbers were limited and the people handpicked by the JAC,” said one south Asian judge on the condition of anonymity.
“They are well aware of judges who have complained to the JAC saying that they believe their ‘statutory consultation’ had undermined the results of the selection procedure and led to refusal for promotion.
“Furthermore, they have refused to show those judges their statutory consultation as the rules allow.
“Wouldn’t it have made more sense for these judges to have been given to the consultants?
“Then they could have seen first-hand if those who fear the worst speak the truth?”
On its website, the JAC said, “Statutory consultation – which was put in place by parliament – is one aspect of the selection process for judicial appointment which is carefully used alongside a wealth of other evidence to make sure we select only on merit, those of good character.
“Among our many equality measures, JAC panels receive tailored training to assess evidence from non-traditional routes, all shortlisting is name blind and where two or more candidates in a selection exercise are judged as being of equal merit, we can give priority to one or more candidates from underrepresented groups through our equal merit approach.”
The JAC have been urged to stand up for the principles it is meant to uphold
But the consultants, Work Psychology Group (WPG), make clear that some judges are unhappy with the way decisions are made in secret.
“There is an absence of statutory consultation comments for some candidates and this impacts on the consistency, reliability, and the perceived fairness of the process,” the consultants conclude.
“Our desk review of evidence packs revealed that not all candidates receive statutory consultation comments when sought, with several reasons being given for this, for example some candidates are unknown to the named statutory consultee.
“Therefore, statutory consultation comments are used to support the selection decisions of some candidates but not others which could differentially impact on candidates.”
WPG’s report confirms what judges have told this newspaper time and again – candidates cannot challenge what is said about them in secret.
“Statutory consultation comments received before a [s]election [d]ay can support the selection panel with making recommendations about candidates, but candidates are not given the opportunity to directly refute comments,” the report points out.
“Statutory consultation comments are not shared directly with the candidate and as such that there is no opportunity to directly respond to and/or refute negative comments.
“This could potentially impact on the fairness of the process for a candidate.”
“Incredulous” report
Judges who have read the review report and the JAC’s interpretation of it told Eastern Eye that they were “incredulous”, “dismayed”, “disheartened” and “disappointed”.
“The JAC has marked its own homework,” said one judge. “It picked the consultants and then those consultants only spoke to very limited people.
“The JAC is meant, constitutionally, to be independent of the judiciary.
“Well reach your own conclusions.”
The JAC review promised an “independent review” during a justice select committee hearing last June.
MPs questioned its chair, Lord Kakkar, and other senior members because of a series of exclusive revelations by Eastern Eye about the culture of racism, bullying and fear in the judiciary and so-called “secret soundings” when appointing judges.
In 2019, Judge Claire Gilham won a landmark case against the Ministry of Justice after blowing the whistle on bullying and racism in the judiciary.
Speaking on behalf of the Judicial Support Network (JSN), she was withering in her analysis of the JAC and its latest report.
“When I took the grievance for whistle-blowing detriment that led to my win in the Supreme Court it concluded that I was significantly overqualified for my district judge role,” she told this newspaper.
“Yet at no time in my 24 years’ service has any leadership judge discussed career progression with me.
“That was as I expected as it had been explained to me before I applied. I couldn’t join a union, could never speak out.
“The leadership judge explained that he would like to be able to appoint me to a more senior role, but it was impossible with my background.
“I’m sorry to see that it is only pressure that leads to change and it’s the kind of forced change that is made without admission so facilitates lip service and bad practice going underground.
“My young peers now can expect to go up one rung but never further.
“Those positions are still reserved almost exclusively from those of the right sort who come in after a lucrative career in practice as barristers.
“A very narrow range of experience and values come into power.”
Along with Judge Kaly Kaul, Gilham founded the JSN.
“This report skims the surface, and we hope will trigger a much ‘deeper dive’ by a more independent organisation,” Kaul told Eastern Eye in her JSN capacity.
“It does not deal at all with the non-statutory consultation and the rumours and discrimination that block able candidates, often obliquely disguised and impossible to challenge.
“This report won’t change very much, indeed the JAC says as much in its response. It is a wasted opportunity.
“We would call for an academic led, independent investigation.”
Law Society response
The Law Society, which took part in the review did not pull its punches.
“There is virtually no chance of achieving a diverse judiciary that mirrors diverse Britain because the very recruitment process that claims to deliver that goal has failed,” it warned in a press release.
Its president, Stephanie Boyce, the first black woman to lead the organisation, which represents 140,000 solicitors in England and Wales, was scathing about the JAC.
“The Judicial Appointments Commission spends a good deal of its time promoting the case for minimal change, but the need for reform is clear and so too is the need for them to engage with key stakeholders. Just one per cent of England and Wales’s judiciary is Black – and that hasn’t changed since 2014,” Boyce warned.
“Part of the problem is the JAC is misinterpreting the statutory consultation rules, a practice some commentators refer to as ‘secret soundings’ over suitable candidates, rather than as a process of identifying what experience and abilities go to make up a good judge.
“Rather than trying to justify a failed process the JAC should engage with what it actually delivers.
“There is no doubt that applicants from under-represented backgrounds are much less likely to be successful in making it through judicial selection.”
Writing in last week’s Eastern Eye, the founding member of the Society of Asian Lawyers and a founding member of the Bar Human Rights Committee, the barrister, Sailesh Mehta, said he wanted real change in the JAC.
“A new chair and new members not chosen from the usual “good and great” stable would be a start,” he opined.
“The JAC needs fresh ideas and fresh blood. It needs to acknowledge its failings.
“The system of ‘secret soundings’ has been discredited and must be abolished from every appointment process.
“The mounting cases of complaints of unequal treatment by BAME judges needs to be dealt with quickly and sympathetically before the discontent mushrooms and infects the whole system.”
JAC changes
While the JAC said it would make some changes, it will continue to use secret soundings in most appointment applications.
It appears to suggest that any adverse comments will now be put to candidates at interview.
But those we have spoken to said this will not work out in practice because candidates effectively blackballed will never make the short list for interview.
“What this exercise shows,” said one white judge, “is that it confirms what we have been saying – ‘sub consultations’ take place which is outside the legal scope of statutory consultation.
“The consultants also call for a review of the legal risks of the processes, something we’ve been advocating for some time.”
Judge Claire Gilham concluded that the JAC “had produced an opaque report with only the name of independence from a commissioned agency talking only to those on the inside, with its outcomes coded.”
“The most objectionable guidance that actively sought gossip it would ‘read between the lines’ about candidates has been quietly dropped,” she said.
“But will those who abused the old system not continue to misuse their power unless and until these hints and prejudices are explicitly condemned?
“I have no confidence in it. I still cannot see how it can be right to order and prefer candidates on subjective secret assessments of their character they never know about.
“Friends are boosted and the diverse damned.”
Gilham said the unfairness of the current system meant that it hides “the fact that it was a secret report that had really led to their failure.”
“We need a thorough reform,” she said.
“This lack of judicial diversity and the containing of the diverse has implications that are of public interest.
“Justice is still punching down from the bench.
“That has implications not just for the individual facing us but for our priorities in the judicial system and how we feedback how the law works and who for.
“The echelons above the voices and experiences of prejudiced groups and poverty that are overwhelmingly kept in the lower courts get turned back at the glass ceiling and are not heard.”
Sir Bob Neil (pic credit: parliament)
We approached the justice select committee, a group of MPs, our elected public servant supposed to scrutinise the judiciary, to see whether it thought this was an “independent” and “viable” survey.
The committee’s white chair, Sir Bob Neill is a former barrister.
When we first broke the story of a culture of racism and fear in the judiciary in July 2020, and we gave it our evidence, the committee refused to act.
It only held its hearing with the JAC in June 2021 when judges read our stories decided that enough was enough.
In true form, Sir Bob and the new clerk to the committee decided that it was not worth their time to acknowledge or respond to a matter of clear public interest.
Comedian and presenter Romesh Ranganathan has opened up about his long-term mental health challenges, describing how he has found effective ways to manage his wellbeing and now feels he is in “one of the best places I’ve ever been in my life”.
Speaking on BBC Radio 4’s Desert Island Discs, Ranganathan discussed experiencing suicidal thoughts in the past and the steps he has taken to improve his mental health. He also reflected on his Sri Lankan heritage, his upbringing, and the difficulties his family faced during his youth.
Managing mental health with daily routines
Ranganathan said he uses running, reading and breathing exercises to help maintain his mental wellbeing. These habits have become an important part of his routine.
“One of the things I’ve noticed when it comes to mental health is you do stuff that works… and then for some reason you just stop doing it,” he said. “You go, ‘Oh, I’ve done that every day for a week, I’m really feeling better, shall I just stop? Yeah!’ And then a few weeks later, wonder why I feel much worse.”
He described recognising when his mental health dips as “half the battle”, explaining that he is now better equipped to respond to difficult periods. “Sometimes I just go through a dark period and I know that I’ve got to do something about it,” he said.
Sharing mental health experiences responsibly
The 47-year-old broadcaster also reflected on the challenges of discussing mental health publicly, particularly when such conversations might affect others.
“You’ve got to be careful because it’s triggering [for other people],” he told presenter Lauren Laverne. “The way that I try and tackle that is to talk about it… I’m trying to destigmatise it to make the conversation normal.”
Mental health should be something people feel able to talk about openlyBBC Radio 4
However, Ranganathan acknowledged the fine line involved in public disclosures. “You do also have to be mindful of the fact that people may have been affected by that,” he said. “You don’t always get it right, but I think the rewards outweigh the risks.”
He explained that, like physical illness, mental health should be something people feel able to talk about openly. But he also emphasised the importance of being sensitive to those who may have personal experiences with suicide or depression.
Personal losses and long-term challenges
Ranganathan revealed that his struggles with mental health date back to his teenage years. He recalled particularly difficult moments during his A-levels, when his father was imprisoned for fraud, and the wider financial difficulties the family faced at the time.
“I’ve been through in my life a number of periods of suicide ideation,” he said. Despite these challenges, he said he currently feels mentally strong and positive. “As I speak now, this is running close to one of the best places I’ve ever been in my life mentally.”
His father died in 2011, but Ranganathan continues to reflect on his parents' lives and the lasting impact they’ve had on him.
Honouring his mother’s strength
During the interview, Ranganathan spoke warmly about his mother, Shanthi, and described her as “one of my heroes”. He shared how his parents moved to the UK from Sri Lanka in 1970, eight years before he was born.
While his father embraced British culture, socialising and working, Ranganathan said his mother had a very different experience. “That’s a 19-year-old girl who had kids in a foreign country,” he said. “My dad was going off to work… my mum is at home and going to the shops, but… there’s a strong argument he should’ve implemented more boundaries than he did.”
He admitted that one of his biggest regrets is “not having enough empathy or understanding” of his mother’s situation when he was growing up.
Family challenges and early life
Ranganathan recalled a difficult period when he was 12, and his father lost his job and struggled financially. “He was trying to make money in his sort of Sri Lankan Del Boy way, and it wasn’t working out,” he said. “He couldn’t keep up the mortgage repayments on their house.”
His father was later arrested and sentenced to two years in prison for fraud, an event that deeply affected Ranganathan during his teenage years.
Despite these hardships, Ranganathan eventually found success in comedy in the early 2010s and has since become a household name in the UK. He now hosts a weekend show on BBC Radio 2 and has fronted numerous popular television programmes.
Music and reflections
As part of his Desert Island Discs appearance, Ranganathan selected songs from artists including Kanye West, Eminem, and Huey Lewis and the News. His musical choices reflected different stages of his life and emotional journey.
The interview provided a rare and honest glimpse into the comedian’s personal experiences and mental health journey, offering encouragement to others who may be facing similar struggles.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.
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Habibur Masum pleaded guilty at Bradford Crown Court to manslaughter and possession of a bladed article. (Photo: West Yorkshire Police)
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Habibur Masum, 26, pleaded guilty at Bradford Crown Court to manslaughter and possession of a bladed article. He denied the charge of murder. The victim, 27-year-old Kulsuma Akter, was stabbed multiple times on 6 April last year. The baby was unharmed.
Masum, of Leamington Avenue, Burnley, was remanded in custody by Justice Cotter and is due to stand trial for murder on Monday.
He also denied two charges of assault, one count of making threats to kill and one charge of stalking. During a previous hearing, the court was told those charges relate to incidents over two days in November 2023.
The stalking charge alleges Masum tracked Akter between November and April, found her location at a safe house, sent threatening messages including photos and videos, loitered near her temporary residence, and caused her alarm or distress and fear of violence.
Akter was attacked at around 15:20 BST on Westgate near Drewton Road. She later died in hospital. Masum was arrested in Aylesbury after a three-day manhunt by West Yorkshire Police.
Her mother, Monwara Begum, speaking from Bangladesh last year, said: "I am in shock. She was my youngest daughter and I adored her greatly... The only day I didn't hear from her was the day she was attacked."
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When Eastern Eye asked him to select his favourite songs, he chose ones filled with magic, meaning and cherished memories.
Tu by Sonu Nigam: When I was about 11, my mother Camla Ramoutar sang with a band called Melody Express and rehearsed at our home. One night, the lead singer did not show up, and they were practising this song. Jerry Beharry overheard me singing along and told me to perform it on stage. It became the first song I ever sang live.
Nache Man Mora Magan by Mohammed Rafi: Known as one of the most difficult songs to sing, this track encouraged me to pursue a music career. It was my first entry into Mastana Bahar, a respected platform that launched the careers of many artists.
Pretty Woman from Kal Ho Naa Ho: This song brought me my love and life partner, Vanessa Ramoutar. I entered a major competition in Trinidad and Tobago for the best cover version of this song. I did two versions with Xsitaaz Band and Caribbean Vibrations Band. We performed on a live TV show called Indian Variety, and I needed a dancer. That is when the beautifully talented Vanessa walked into my life.
Mitwa from Kabhi Alvida Naa Kehna: This film track is a personal favourite to sing live. It remains one of the sweetest songs ever composed.
Sapano Main Pyardi by Ramdeo Chaitoo: This was the first traditional chutney song I covered. It will always hold a special place in my heart because it represents Caribbean music.
Ro Na Kabhi Nahin Rona from Apna Desh: I recorded a cover version of this song in 2007 and was blessed with a beautiful baby girl that same year. She brought such light into our lives, and the song became a huge success. To commemorate that moment, we named our daughter after the track – Varonah. For her sweet 16, we created a special remix of it just for her.
Ah Wish I Was Single by Rick Ram: I have many original hits in the chutney soca genre, but this one stands out. In 2012, I recorded the song and entered two competitions. I placed third in the Chutney Soca Monarch and won my first title as South Super Saturday Chutney Soca Monarch.
Nanda Baba by Anand Yankarran: This iconic song, originally sung by the late, great legend Anand Yankarran, remains one of the greatest traditional chutney tracks. I remember calling Mr Yankarran to ask his permission to do a cover, just before he passed away. He was so excited and said he had never heard anyone sing it the way I did. I recorded it with his blessings.
Luuuzzaarr by Rick Ram: This song was born out of a difficult time, when my wife and I were being bullied. Rather than retaliating, we channelled that experience into creating something positive. Luuuzzaarr made a huge impact – and helped me win two titles: the 2024 Chutney Soca Monarch and the 103.1FM Chutney Soca Road March competition.
Party Like This by Rick Ram: This original song is dedicated to my little prince, my son Rick Junior. He is full of energy and watches everything I do. A reflection of him, I am proud of this track just as I am proud of him and everything he is. It has become his anthem.
Instagram: @rick.ramoutar.75
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Tom Felton returns to the role of Draco Malfoy for the Broadway stage
For the first time since the final Harry Potter film wrapped over a decade ago, Tom Felton is returning to the wizarding world, but not on screen. Instead, the actor is headed to Broadway, where he’ll take on the role of an adult Draco Malfoy in Harry Potter and the Cursed Child. The stage production, which continues the story 19 years after the original books, will now feature one of its most iconic characters portrayed by the man who first brought him to life.
Felton will join the cast at New York’s Lyric Theatre beginning 11 November 2025, for a limited 19-week run until 22 March 2026. This also marks his Broadway debut, making the moment doubly significant. Not only is he the first actor from the original film series to step into the stage version of the Potter universe, but he’ll be playing Draco at the exact age the character is in the play, creating a rare full-circle moment for both the actor and the fans.
Unlike the sneering schoolboy we met in The Philosopher’s Stone, this Draco is a father now. Cursed Child picks up nearly two decades after the Battle of Hogwarts, with the next generation of witches and wizards, including Harry, Ron, Hermione, and Draco’s children starting their own journey at Hogwarts.
Speaking about the experience, Felton admitted that slipping back into Draco’s signature look affected him more deeply than expected. “The blond hair came back on, and I immediately started crying,” he said in an interview. “It felt like going back to school.” He reflected on how the role shaped his childhood and said stepping back into those robes was like “meeting Draco as an adult for the first time.”
Producers Sonia Friedman and Colin Callender called Felton’s casting “a powerful moment of nostalgia and evolution,” acknowledging how his presence bridges the film legacy with the stage story in a way that resonates deeply with longtime fans.
Since his time in the films, Felton has explored a mix of stage and screen roles, from the sci-fi blockbuster Rise of the Planet of the Apes to his stage debut in 2:22 A Ghost Story and the recent A Child of Science. He also published a memoir, Beyond the Wand, sharing his experiences growing up in the spotlight.
But this latest role has stirred a different kind of emotion. “It’s surreal,” he said. “I let go of that character 16 years ago. Now I get to explore him again with new responsibilities, regrets, and maybe redemption.”
Tom Felton makes his Broadway debut in Cursed ChildGetty Images
Harry Potter and the Cursed Child continues to be one of the most successful plays in Broadway history, having sold over 10 million tickets worldwide. Felton’s involvement is expected to bring in a fresh wave of fans, especially those who grew up with the original films. Presale for tickets begins 10 June, with general sales opening on 12 June.