After impressing audiences with his work on Indian television, talented actor Priyansh Jora is now ready to set foot in Bollywood. He is making his silver screen debut with T-Series Films’ Khandaani Shafakhana which hits the marquee on 2nd August. The young actor is paired opposite Sonakshi Sinha in the comic-caper.
Talking about his Bollywood ambitions, Priyansh Jora says that working in good films was always on his mind. He also reveals that he had been offered several films while he was busy doing shows on television. However, nothing came his way that was really exciting for him, so he decided to wait patiently.
“I came to Mumbai in 2012 from Delhi and 24 was my first work on television. When I was doing Tu Mera Hero, I remember the show opened with the highest TRP of 3.4. My other show Bade Bhaiya Ki Dulhaniya has also given me a lot of satisfaction. Working in good films was always on my mind and I have willingly waited for the right role. In between, I have got a couple of offers but I couldn’t see a great opportunity in them,” says the actor.
Did he feel restless while waiting for the right opportunities to knock at his doors? “Certainly. But, I am very patient when it comes to doing the right work! I have believed in my talent and got the right support and motivation from my family, especially my father who has always had my back and told me that do what you think is right!”
About working with Sonakshi Sinha in his first film itself, Priyansh says that she is a very chilled-out person. “She is a senior actress, but she was very chilled-out on the set. That helped me relax, too, and work better.”
Talking about the message that Khandaani Shafakhana tries to deliver, the actor says, “I feel that the subject is extremely relevant. In India, most men refrain from talking about sexual problems because of the male ego. On the other hand, most women are too shy to open up, as they have been told from childhood that it is a taboo subject. It is important that we have normal conversations about sex. Our children shouldn’t grow up thinking that it’s something that shouldn’t be spoken or discussed. During my growing-up years, when we would crack jokes on sex, the grown-up women in our families would tag us ‘non-veg guys’. The point is, when somebody cracks jokes on sex or discusses it, nobody understands that the more open one is about it, the easier it is to solve problems around.”
Directed by Shilpi Dasgupta, Khandaani Shafakhana releases on 2nd August, 2019.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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