Indian-American star Sendhil Ramamurthy says he loved working with Vidya Balan in Do Aur Do Pyaar and hopes the film brings many more opportunities from Bollywood, an industry he stayed away from due to language barrier and familial responsibilities.
In Do Aur Do Pyaar, Ramamurthy stars as Vikram, an NRI photographer who falls for Vidya Balan's Kavya, a married dentist. The film, directed by Shirsha Guha Thakurta, is earning praise for its depiction of an urban marriage where a long-time couple seeks love outside of the relationship.
The actor, 49, last worked in a Hindi production in Shor in the City in 2010. He said his absence from Hindi cinema was not driven by "a lack of desire".
"I didn't want to be away from the children for far too long and be so far away where I couldn't fly home on a weekend. I hope to be doing a lot more because my kids are teenagers now and it's not cool to hang out with your dad. So I'm much more open to the prospect of coming back and doing more work in India," Ramamurthy told PTI in an interview.
Best known for his film and TV projects such as It's a Wonderful Afterlife, Heroes, Covert Affairs, New Amsterdam, The Flash and Never Have I Ever, Ramamurthy said language was also an issue that kept him away but with the global proliferation of platforms such as Netflix, Amazon and Disney everywhere, the opportunity for crossover has never been better.
"I want to do more work in India, but previously, there was always this language barrier that I couldn't overcome. I had very realistic or low expectations, depending on how you look at it. I felt like it was a bridge too far and I can maybe dip my toe in, but then I'm going to have to dip right back out because there's not going to be an opening for me," he said.
Do Aur Do Pyaar happened by chance for Ramamurthy with one of the film's producers, Tanuj Garg, reaching out to him with the script. Garg was also involved with Shor... and It's a Wonderful Afterlife. The character of Vikram was tweaked to make him an NRI after Ramamurthy came on board.
"I sat down and read the whole thing in an hour and a half and then I went back and read it again just because I thought, 'Can it actually be this good? Did I miss something?' I just read the Vikram-Kavya scenes again and realised that he doesn't say a whole lot. He has to convey everything with looks and gestures and I thought, 'that's such a great acting challenge for me'."
Working with Balan was the cherry on top but Ramamurthy did his homework by connecting with the director via zoom to understand her vision for the film, which is a remake of the American film The Lovers.
Balan, he said, was a pure joy to work with.
"She's Vidya and I didn't know what to expect from her. I went in kind of expecting the worst like, 'What if she's like a big diva and all of this attitude and everything'. And then she disarmed me from the second I laid eyes on her. She just came up, gave me a big hug and I just felt okay... I was in an environment where I could give my best performance," he recalled.
Ramamurthy said the ease shown in the interaction between their characters was a direct extension of the comfort he shared off screen. The Sherni star even helped him out in a key emotional scene.
"Her natural instincts are some of the bests I've ever worked with," he recalled.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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