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Nushrratt Bharuccha on films heading to OTT platforms

It has been almost four months since any Bollywood film released in theatres. The Coronavirus pandemic has affected the showbusiness badly. And with COVID-19 cases in India shooting up with each passing day, there is no hope as to when theatres will resume operations in the country.

In the absence of a theatrical release, a lot of films are releasing directly on various OTT platforms.  While some celebrities are in favour of the new trend, others are of the opinion that an online premiere can never rival the experience of watching a film in cinemas.


Actress Nushrratt Bharuccha, however, has no issue with films heading to OTT platforms. She believes that the objective is that the film must reach the audience regardless of the medium of its release.

“We are in a global pandemic where theatres are shut, malls are shut, gyms are shut. We don’t know when it will be safe enough for us to step out and go to these places again. In such a scenario, if producers of the films that were supposed to release from March till now think that releasing them on OTT is correct, they know the best,” says Bharuccha.

Buzz has it that Bharucha’s much-awaited film Chhalaang is also forgoing its theatrical release for a premiere on an OTT platform. However, when the actress was asked about the same, she chose not to comment on the speculation. Helmed by Hansal Mehta, Chhalaang also stars Rajkummar Rao and was slated to release in June this year.

Bharuccha says that we will have to adapt and adjust until there is a vaccination for COVID-19. “I am hoping we get a vaccination and go back to the way life was; that theatres open, and we enjoy watching films with our families. But, in such unprecedented times, we have to adapt and adjust,” she concludes.

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

Highlights:

  • Netflix says global viewing of Southeast Asian titles rose almost 50% between 2023 and 2024.
  • Premium VOD revenue in the region reached £1.44 billion (₹15,300 crore) last year, with 53.6 million subscriptions.
  • Netflix holds more than half of the region’s total viewing and remains its biggest investor in originals.
  • New rivals, including Max, Viu and Vidio, are forcing sharper competition.
  • Local jobs, training and tourism are increasing as productions expand across the region.

Last year, something shifted in what the world watched. Global viewership of Southeast Asian content on Netflix grew by nearly 50%, and this isn't just a corporate milestone; it’s a signal. Stories from Jakarta, Bangkok, and Manila are no longer regional curiosities. They are now part of the global mainstream.

The numbers tell a clear story. Over 100 Southeast Asian titles have now entered Netflix’s Global Top 10 lists. More than 40 of those broke through in 2024 alone. This surge is part of a bigger boom in the region’s own backyard. The total premium video-on-demand market in Southeast Asia saw viewership hit 440 billion minutes in 2024, with revenues up 14% to £1.44 billion (₹15,300 crore). Netflix commands over half of that viewership and 42% of the revenue. They have a clear lead, but the entire market is rising.

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