Known her playing every character with panache, Bollywood actress Nushrratt Bharuccha says that her journey to becoming an actor was replete with several setbacks but she dealt with them in order to turn her dream into a reality.
Bharuccha, who made her acting debut with Jai Santoshi Ma in 2006, has delivered several successful films over the years. Some of her notable films include Love Sex aur Dhokha (2010), Pyaar Ka Punchnama (2011), Pyaar Ka Punchnama 2 (2015), and Sonu Ke Titu Ki Sweety (2018).
“Everybody has their own set of journeys and obstacles. First, the problem is one doesn't get the scripts and roles they like to do. They wait and settle for the ones that are offered and are best. Then when one becomes successful then (also) it is like ‘what to do next'? So that struggle is there,” Bharuccha told PTI in an interview.
Recalling her initial days in the industry, Bharuccha said considering she did not come from a film family or had any connections in Bollywood it has been a tough ride. Today, she is both happy and proud of her achievements. “I have dreamt a dream that I don't think anybody in my situation would have dreamt for so long. I don't come from a film family; I don't have connections. I did films that were majorly male-centric. I have had my share of setbacks and dealt with it,” she said.
“Everybody in my family thought it (acting) is a hobby and I will be done with it in two months and I will do something else. I don't know what exactly was that one thing that kept me going. It feels this is what I was meant to do and it does give me a lot of joy,” she added.
Bharuccha said she is happy to be nominated in the best actress category at the Asian Contents Awards by Busan Film Festival for her role of a housemaid in the Netflix anthology Ajeeb Daastaans (2021).
Her segment, Khilauna, directed by Raj Mehta, presented the dark and twisted tale of a housemaid trying to make things better for her and her little sister. The actor believes the class divide that the film explored may have struck a chord with people.
“It is about the haves and have-nots; the duality was most glaring. It is about survival. Everybody wants to survive and if there are obstacles, they will do what is needed to overcome it. That is the basic human instinct and that is what has connected globally,” she added.
Raj almost wasn’t Indian, Tom Cruise was the idea.
The title? Kirron Kher just threw it out there.
Pigeon scene: Totally SRK winging it. Kajol freaked a little.
Mehendi Laga Ke Rakhna got added last minute. Can you imagine?
Maratha Mandir. Playing. Every day. Since 1995. Fans love it.
You might think you’ve seen it all in DDLJ. Raj, Simran, the songs, yes, we all know them. But there’s a lot behind the camera that most people have no clue about. Some of it was luck. Some of it Shah Rukh Khan just winging it. And some… well, Aditya Chopra being a little crazy. Here’s the stuff nobody really tells you.
How Dilwale Dulhania Le Jayenge became a Bollywood legend: 10 untold stories Youtube Screengrab
1. Raj almost had a totally different face
Aditya Chopra literally imagined an American guy and an Indian girl and had Tom Cruise in mind. But then his dad, Yash Chopra, stepped in and said, “Nope, Indian boy.” And then the story completely changed. Suddenly, it wasn’t Hollywood, but NRIs, family, love, and all the cultural stuff that actually hits you in the gut.
2. Kirron Kher named the film
That long, unforgettable title? Shah Rukh Khan thought it was clunky. But the rookie director, Aditya, heard it from Kirron Kher and went with his gut. And yes, she got a credit in the opening titles.
3. Script written in a month
Three years of thinking, then all of a sudden, the final script was done in three or four weeks. Can you imagine? The blueprint for the biggest romantic film of the ’90s, completed in less than a month.
4. Accidental magic
That pigeon-feeding scene with Amrish Puri? Totally improvised by Shah Rukh. Even Kajol’s shocked face in Ruk Ja O Dil Deewane was not planned. Aditya kept it a secret to get a real reaction. And it worked big time. Fans don’t even know half the story behind that moment.
5. Director hiding in a car
During the Zurich car ride, Aditya wasn’t just lurking behind the camera. No. He was lying flat in the back of the red convertible, flat out of frame, watching every move. Can you imagine lying like that for hours? Wild.
6. Raj’s leather jacket wasn’t a costume
Raj’s iconic leather jacket? The one every guy copied? Uday Chopra just bought it from a Harley shop in California and cost 400 bucks. Not a big fancy wardrobe magic, it was just a cool jacket he found.
7. Mehendi Laga Ke Rakhnaalmost didn’t happen
That wedding song everyone hums? Almost didn’t exist. It got added at the very last second, borrowed from another Yash Raj project. Imagine weddings without it!
8. Kajol’s towel moment
Kajol wasn’t a fan of that towel scene. She seriously didn’t want to shoot it, but the director insisted. And that white skirt in the song? The director said it looked frumpy. Manish Malhotra, the designer, had to take scissors and cut it shorter on the spot.
9. Shah Rukh’s prophecy
After reading the script, Shah Rukh told Yash Chopra: “This will define my stardom.” And he nailed it. Spot on.
10. The first “making of” documentary
Before YouTube, before making-of reels, they aired a half-hour documentary on Doordarshan.
Chaudhary Baldev Singh Dilwale Dulhania Le Jayenge Shah Rukh Khan Kajol www.easterneye.biz
24*7- for 365 days
And then there's Maratha Mandir. This old theater in Mumbai. It's still showing the film. Every. Single. Day. For 30 years. Tickets are 50 rupees. Fans go to watch it like a ritual, some book the gallery for birthdays or anniversaries. People even fly in from abroad. Iconic, right?
30 years later, Raj and Simran are on stage in Come Fall in Love – The DDLJ Musical in Manchester. 18 original English songs. Same story. Same magic. New audience. And people are loving it.
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